Search Details

Word: although (lookup in dictionary) (lookup stats)
Dates: during 2000-2000
Sort By: most recent first (reverse)


Usage:

Dartmouth keeper Kristen Luckenbill--the 1998 Ivy Player of the Year and a pre-season All-American--played near flawlessly in goal to earn the shutout. Although the Crimson never sent any particularly tricky shots her way in the first half, she stopped every one cold...

Author: By David R. De remer, SPECIAL TO THE CRIMSON | Title: Dartmouth Cripples W. Soccer Ivy Title Hopes | 10/30/2000 | See Source »

...India, La Bayadere depicts the love story between Solor, a renowned warrior, and Nikya, a temple dancer. This performance features the petite Larissa Ponomarenko as Nikya, with Yury Yanowsky in the role of Solor. Although the couple is well-matched, they lack polish in their pas de deux, with shifty landings in their lifts and a lack of sustained movement that sometimes overshadows their individual technical brilliance. The absence of an emotional connection between the couple also seems to underscore the technical faults. Still, Ponomarenko enthuses with her fluid, well-placed positions, displaying long, beautifully shaped arabesque lines that defy...

Author: By Mildred M. Yuan, CONTRIBUTING WRITER | Title: Tradition and Talent | 10/27/2000 | See Source »

Complications settle into the plot during the latter part of the first act when the Rajah gives the hand of his daughter Gamzatti to Solor in reward for his success as a warrior. Although he loves Nikiya, Solor does not feel that he can refuse the wishes of the Rajah. As Gamzatti, April Ball takes the stage with exceptional presence, bringing to the performance clear, insightful mime and impressive theatrical and technical versatility. Without dancing a single step in the first act, Ball holds full command of the stage, developing the dimensions of Gamzatti's struggles as a woman...

Author: By Mildred M. Yuan, CONTRIBUTING WRITER | Title: Tradition and Talent | 10/27/2000 | See Source »

...wide variety of dances and beautifully constructed sets and costumes by Sergiy Spevyakin dominate the second act, delivering a full offering of the company's diverse talents. The divertissements, although all delightfully and correctly danced, lack any real display of virtuosity. In the role of the Golden Idol, Christopher Budzynski's aerial jumps are imbued with a natural sense of grace but lack any dynamic in movement or musicality. Alexandra Kochis's charming performance as the whimsical Manu also seems to fall just short of true technical precision. But commendations go to the male ensembles for clean, effortless dancing...

Author: By Mildred M. Yuan, CONTRIBUTING WRITER | Title: Tradition and Talent | 10/27/2000 | See Source »

...Although La Bayadere is faithfully reconstructed in this new rendition, the project seems to have been approahced with almost too much care, as though the choreographers greatly feared deviating too far from tradition. A substantial performance steeped in years of tradition, La Bayadere is nevertheless curiously deficient in the cutting-edge spirit of innovation that distinguishes this century from the last...

Author: By Mildred M. Yuan, CONTRIBUTING WRITER | Title: Tradition and Talent | 10/27/2000 | See Source »

First | Previous | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | Next | Last