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...each other and the comedy of errors resulting from the confusion is resurrected for Maurice Chevalier in "Folies Bergere." The amiable Frenchman plays the parts of Eugene Charlier of the "Folies" and baron Cassini, a dashing financier "as well known on the Boulevard as on the Bourse." Since the actor is so good at impersonating the Baron in his act, he eventually comes around to impersonating the distinguished banker when that gentleman is unavoidably absent at a reception he was supposed to be giving various dignitaries of the French government...

Author: By R. R., | Title: CRIMSON PLAYGOER | 3/27/1935 | See Source »

...General" during the War, MacArthur was given command first of the Fourth Corps Area, then of the Third, a time-killing process necessary before he could reasonably be made Chief of Staff. The year he took the Army's highest job his divorced wife married Actor Lionel Atwill...

Author: /time Magazine | Title: ARMY & NAVY: MacArthur's Turn | 3/25/1935 | See Source »

Auguste Renoir's three sons are all living, moderately prominent. Pierre, the eldest, is a well known actor of the Théâtre I'Athénée, despite the paralyzed hand that the War gave him. Jean, the second, is a cinema director, lately produced a well reviewed film of Madame Bovary. Blond Claude, familiar to all art students in dozens of child portraits, is the plump & prosperous owner of the largest cinema in Antibes, L'Antipolis...

Author: /time Magazine | Title: Art: Painter's Painter | 3/25/1935 | See Source »

...capabilities of Edward G. Robinson as an actor are well known. In this picture the audience is provided with an excellent opportunity to decide which they prefer: Mr. Robinson the hero, or Mr. Robinson the gangster-villain. For in this picture Mr. Robinson is both. The story concerns itself with the adventures of a poor, harmless, rabbit-like clerk when it is discovered that he bears an astonishing resemblance to the escaped killer and big shot, Mannion, Both paris are played by Mr. Robinson. Jean Arthur, who has seldom shone very brightly in the stellar firmament of Hollywood, gives...

Author: NO WRITER ATTRIBUTED | Title: AT THE ORPHEUM | 3/19/1935 | See Source »

...every playgoer a poetry lover. But nowadays poets generally leave their Muse behind when they go to town. To most moderns, poetic drama means selfconscious, little-theatre stuff-&-nonsense. Ambitious Poet Archibald MacLeish (Conquistador), seeing no good reason for the modern notion that Poetry is by nature a bad actor, has tried his hand at a verse-play. His first attempt. Panic, took him 16 months to write.* Playgoing readers will find it an exciting experiment, will hope Author MacLeish's example may attract some others...

Author: /time Magazine | Title: Books: Poet's Play | 3/18/1935 | See Source »

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