Word: accelerando
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Dates: during 1960-1969
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...fully on the chance. His conducting was demonstrative, fluid, and expressive, moving in phrases instead of measures. His lines were lovingly shaped, sometimes elegantly, sometimes extravagantly. Mickiewicz is a master of that peculiarly Slavic kind of rubato whose sentiment hovers between joy and sorrow and has a gradual rocket accelerando that makes the Rossini crescendo dull by comparison...
From the steep stone bleachers of Manhattan's Lewisohn Stadium, the skinny conductor who walked onto the outdoor stage last week seemed miles away. But once he began conducting, Seiji Ozawa caught every eye. As exhilarating as the final accelerando of Tchaikovsky's Fourth Symphony were the dancelike body movements with which Ozawa conducted it. His expressive left hand seemed everywhere, searching out the lyrical underpinnings of Borodin's Second. He found them, and New York critics unanimously agreed that musically little Seiji was a giant in the making...