Word: abstractness
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Dates: during 1950-1959
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...foreign-policy performance during the Eisenhower years. "We have seemed too often to lack coherent and continuing purpose. Rather, we have relied on sporadic responses to sudden needs and crises . . . Perhaps we have been dreaming that words could be substituted for deeds, problems be patched up with slogans, abstract proclamations take the place of concrete and creative policies. We cannot continue thus...
...Flesh & Abstractions. Along with his other activities, Mankowitz' stage successes have brought him a handsome St. John's Wood house in London and an eight-acre, 16th century manor in Kent. His real rewards, says he, are to have achieved "independence, privacy and space." Despite such serene surroundings, he insists, "I have more in common with any other freelance, from a prostitute to a delicatessen owner, than the stiff, abstract tedious people from the literary world...
...final scene the audience was deeply moved by Oedipus (Tenor Gerhard Stolze) staggering onstage before Designer Caspar Neher's abstract backdrop (it looked like a microphotograph of a germ culture) and raising his sightless eyes with a beatific smile. Soprano Varnay refused to watch from the wings because "I dream about such things." Reported TIME Correspondent Paul Moor: "For a non-German-speaking audience, this opera has long, boring stretches because the music is so subservient to the text. Nevertheless, Orff has created a theater work of gripping power...
...Germany during the middle dle twenties, Leontief studied what he considered one of the greatest problems in economics, that of relating abstract theory to actual fact. "Too often," he explained, "one group of people makes the theories while another assembles the facts." His early work was done in "partial theory," by which the market is dissected and sections of it studied. Such problems as the market effect of a change in the price of copper, or an increase in the supply of meat, were tackled by him and his co-workers during these years...
Boff & Grunt. His frankness interlarded with frenzy and his open face barred with a villainous black mustache, Appel happily plays the abstract-expressionist role. Painting, he says, "is a battle! Boff goes the paint! It explodes! It's an adventure! It's destroying what I've done before!" At the easel, he swirls, smears and stabs with tubes in mid-squeeze, a palette knife, his hands and, occasionally, a brush, grunting as he works. In a few hours, the picture is done: a wet, gaudy mass of color violently heaped and stirred. Sometimes it is a brutally...