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...five bobsledding gold medals during the '20s, '30s and '40s, but the bitter bobsledders' joke is that some of those crates are getting pretty old. To this enterprise, the U.S.O.C. chips in about $100,000 annually, and Corporate Sponsor Lederle Laboratories helps somewhat. But the equipment afforded is far from the best on the mountain. Not just holding down the bobsleds, but holding them down for the count, those good old boys from Saranac Lake, Plattsburgh and Keene Valley in upstate New York are still just about the best bobsledders in the Adirondacks and not quite the worst...

Author: /time Magazine | Title: Clear the Way For the U.S.A. | 1/30/1984 | See Source »

...Dreams of Movie Stardom she constructs a Hollywood that never was, where the '30s stars Lola, Priscilla and Rosemary Lane invite her to join them. Like Kafka's Amerika, Anne...

Author: /time Magazine | Title: Books: Child Sacrifice | 1/30/1984 | See Source »

...patient of Sexologist Havelock Ellis, who described her in his autobiography as "a shy sinuous figure, so slender and so tall that she seemed frail, yet lithe, one divined, of firm and solid texture." Freud, who analyzed her in the early '30s for $25 a session, told her she was a classic example of bisexuality. H.D.'s own ideal was not a psychological abstraction but a statue of a sleeping hermaphrodite that she had seen as a young woman at the Diocletian Gallery in Rome...

Author: /time Magazine | Title: Books: The Astronomer's Daughter | 1/16/1984 | See Source »

...comedy is showing the theatrical old guard how to be young, hip and acerbic without forfeiting involvement in affairs of the heart. Isn't It Romantic examines the lives of two old college chums-Janie Blumberg (Cristine Rose) and Hattie Cornwall (Lisa Banes)-as they approach their 30s and the dangerous prospect of a life without either Mamma or mate...

Author: /time Magazine | Title: Theater: Broadway's Big Endearment | 12/26/1983 | See Source »

Other Saint Laurent signatures show up early. One is the "little black dress," a Chanel revolution in the '20s and '30s, when it symbolized the offhand smartness of the modern workingwoman. Saint Laurent reigns over this much copied genre, because it seems to fit his double-sided vision of women-as ladies and as tramps. He has confected delicate, gauzy little nothings, sculpted bold ones, produced sexy variations and tarted up a few that can only be called sleazoid...

Author: /time Magazine | Title: Living: Toasting Saint Laurent | 12/12/1983 | See Source »

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