Word: zimbalist
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Dates: during 1940-1949
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When Rafael was bora in 1914, Jan Kubelik was one of the world's best in an age of great violinists (Kreisler, Ysaye, Auer, Zimbalist), had made himself a millionaire by his world-circling concert tours. Rafael began his musical training at five, picked out his first composition at eight on one of the Kubelik household's six pianos. At 14, he was enrolled at the Prague Conservatory, and in 1934, when Rafael was 20, his father considered him accomplished enough to go along on a world tour as his accompanist and conductor. Purpose of the tour...
Daughter of a wealthy Chicago grocer and widow of a distinguished Chicago surgeon, Mrs. Coolidge* is something of an amateur of music herself. She has played the piano in informal recitals with violinists like Kneisel and Zimbalist. Five years ago, at 79, she amazed her friends by sitting in with the Kolisch Quartet at the Library of Congress, to play Schumann's Quintet for Piano and Strings. Last year one of her own trios, written in 1930, was performed at the Library...
...reacted as though he had burned off their heads with an acetylene torch; Congress and the Justice Department jostled each other in their rush to investigate him. He plunged on, hauled the nation's big symphony orchestras into the union, and with them artists like Iturbi, Spalding and Zimbalist. "They're mine," he cried. "What's the difference between Heifetz and a fiddler in a tavern...
Primrose's 1945 fiddle, five-eighths of an inch longer than his Amati, was built by the only U.S.-born member of the 300-year-old European Guild of Violinmakers, a stocky, shy Philadelphian named William Moennig Jr. Moennig also does all the repairing on Efrem Zimbalist's Stradivari violin, Gregor Piatigorsky's Montagnana cello.* Moennig, 40, and his 62-year-old father live and work in a colonial house on Philadelphia's once swank Locust Street, now lined with doctors' offices. The Moennigs sit at benches side by side, poking quietly into ailing...
...acting honors in this film go to several Chinese patriots, without acting experience, whom Producer Zimbalist and Director Mervyn LeRoy recruited chiefly in San Francisco-a literary scholar, a dealer in antiques, etc. In their probity of demeanor and feeling, they offer a beautiful testimonial to their nation, and testify, as well, to the magnificent possibilities of using non-actors far more generally in films. The acting of the professionals (including Spencer Tracy as Colonel Doolittle) is also sincere and creditable. It is most pleasing, perhaps, in the case of Van Johnson, whose handling of his largest and most serious...