Search Details

Word: willauer (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...chosen so that they do not duplicate commercial recordings. The bass aria, "O ruddier than the cherry," is an exception. Obviously it has been included for the very good reason that Paul Tibbetts is singing it, but it is one of the dullest pieces the Handel ever wrote. Marguerite Willauer has much better material for her fine soprano voice in "As when the dove laments her love" and "Heart, the seat of soft delight...

Author: By Herbert P. Gleason, | Title: THE MUSIC BOX | 12/20/1949 | See Source »

From the New England Conservatory of Music came Marguerite Willauer to play Galatea. You will look long before you find such a lovely and poised creature on an opera stage. Except for a few uncertainties, she sang with purity and richness. Her alternating recitative with Tibbetts compares favorably with any singing around, including, I expect, the Met next week...

Author: By Herbert P. Gleason, | Title: The Music Box | 3/17/1949 | See Source »

...expensive section of the Bellboy dining hall will take on all the glitter of the diamond horseshoe for the performance of Handel's "Acis and Galatea." James Perrin '50 and Marguerite Willauer of the New England Conservatory of Music will sing the title roles of John Gay's libretto. Paul Tibbets '45, who has been something of a fixture in musical circles here since the pre-war era himself, will be Polyphemus while June Donald of the Longy School will sing Dalmon...

Author: NO WRITER ATTRIBUTED | Title: Lowell Resuscitates Opera Tradition | 3/16/1949 | See Source »

James Perrin '50 and Marguerite E. Willauer of the New England Conservatory of Music will play the title roles in the Lowell House Musical Society's forthcoming production of Handel's "Acis and Galatea," Bradford F. Herzog '50, president of the Society, announced yesterday...

Author: NO WRITER ATTRIBUTED | Title: Casting Proceeds For Open Roles At Lowell House | 2/10/1949 | See Source »

| 1 | 2 | 3 | 4 | 5 | Next