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...loved to swoop down on an Old Master for sale on the New York art market and carry it off before slow-moving U.S. museums could get their boards of trustees to approve its purchase. He liked to boast that he once snapped up 33 pictures at the Wildenstein Gallery before lunch, then talked the Brazilian government into giving him a $3,000,000 loan to finance his purchases. As the "museum" grew, it was moved from one makeshift quarters to another. In recent years, it has been housed in Chateaubriand's office building in downtown...

Author: /time Magazine | Title: Painting: Impressionists Revisited | 1/31/1969 | See Source »

...Dallas oil millionaire. Badly burned when he bought a group of post-impressionists from two fly-by-night dealers only to find that they were largely fakes (TIME, May 19, 1967), Meadows has since purchased some $3,500,000 worth of paintings, most of them from Manhattan's Wildenstein Galleries in order to guarantee his prairie Prado some indisputable old masters...

Author: /time Magazine | Title: Painting: Prairie Prados | 5/31/1968 | See Source »

...difficulty to organize the distinguished Committee to Rescue Italian Art. CRIA quickly raised approximately $2,000,000 to aid in the restoration of damaged works. Its most recent-and most popular-fund-raising device is "The Italian Heritage," an exhibit on display through Aug. 29 at Manhattan's Wildenstein Gallery, where it has already attracted more than 11,000 visitors...

Author: /time Magazine | Title: Painting: Tapping the Mother Lode | 8/11/1967 | See Source »

...King Samuel Kress left one collection of Italian paintings to the National Gallery-and a second to 18 different museums around the U.S., three of whom sent contributions to the CRIA exhibit. While most works acquired by collectors have by now come to rest in museums, some at the Wildenstein still reside in private homes. A charming statuette of Michelozzo's St. John the Baptist, owned by Manhattan Philanthropist Alice Tully, is being shown in public for the first time...

Author: /time Magazine | Title: Painting: Tapping the Mother Lode | 8/11/1967 | See Source »

...personal collection in Dallas. There they will help to fill the gaps left on the walls by the suspect paintings, now being examined in Paris. A $150,000 Jackson Pollock will go to the Dallas Museum of Fine Arts. But the lion's share, ten paintings bought from Wildenstein & Co.-including four Goyas, three Murillos, a Zurbarán, a Juan de Sedilla and a José Leonardo-will go directly to S.M.U., to become part of a collection that includes some 300 other Spanish paintings and drawings, valued at $3,000,000, given by Meadows in recent years...

Author: /time Magazine | Title: Collectors: Back to Market | 6/9/1967 | See Source »

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