Word: wildenstein
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Dates: during 1930-1939
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...movie to see what some critics considered the most stunning show of the year. Arranged by a long list of socialite sponsors for the benefit of the public Education Association of New York, it was correctly entitled "Great Portraits from Impressionism to Modernism." In the lofty, skylit galleries of Wildenstein & Co. visitors saw 48 selected masterpieces by Cezanne, Manet, Renoir, Gauguin, van Gogh, Toulouse-Lautrec, Degas, Marie Laurencin, Matisse, Derain, Pascin, Picasso, Modigliani. Visitors who regarded any of these reputations as unfounded were quickly disabused...
...Hung in the Wildenstein Galleries was the best private collection of iSth-Century French art in the world. The lifelong accumulation of San Francisco-born David David-Weill, president of the Council of the National Museums of France, senior partner of the international banking house of Lazard Freres & Cie , this anthology of fragilities changed hands last March. The reported price of $5,000,000 paid by happy Dealer Georges Wildenstein established him firmly as the French Duveen...
...Harshe are Rembrandt's Girl at the Open Half-Door and El Greco's Assumption of the Virgin. Last week Director Harshe had a third picture to share honors with this notable pair. At a reported price of $200,000, Institute Trustee Charles H. Worcester bought from Wildenstein & Co. and lent to the Museum for an indefinite period Titian's Education of Cupid...
...room in Manhattan's swank Wildenstein Galleries six statues went on view this week. All were formalized, slickly modeled, carved from most expensive materials. One female torso had been executed in rose Milan marble, a pinkish metallic veined stone so rare that it may no longer be exported from Italy. Averaging $5,000 apiece in price, all were the work of suave, spectacled Sculptor Boris Lovet-Lorski. At the same time word came from Paris that the Ministry of Fine Arts had decided to invest French taxpayers' money in two Lovet-Lorski pieces: a bronze nude...
...pictures on exhibition last week: The White Horse, loaned by the Louvre, which shows a long-maned white horse drinking peacefully in a stream while in the background a nude Tahitian girl rides another horse back from the stream to the pasture, and The Call, now the property of Wildenstein & Co. in which three half-clad Tahitians stroll under slender trees against a dark tropical landscape...