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Word: washerwomen (lookup in dictionary) (lookup stats)
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...gentle unfolding of life, from kava ceremony to funeral song. In many Pacific cultures, the moon is also seen as a female deity, and in Vula womanhood is worshiped just as fully, from the languorous flick of a maiden's hair to the ribald jokes of a group of washerwomen, whose laughter becomes the ebb and flow of lagoon life...

Author: /time Magazine | Title: Lunar Attraction | 6/12/2006 | See Source »

...Sawyer '01 provides a luminous foil for Yerma's intensity in Maria, a village friend of Yerma's who is lucky enough to be blessed with children--and to possess neither Yerma's depths nor her demons. Kate Arms assumes a commanding presence as the most cruel of the washerwomen who gossip about Yerma's barrenness and cast aspersions on her fidelity, but she is equally comfortable in the sympathetic, backgrounded role of Dolores, the witch-woman who provides Yerma with ancient pagan remedies against infertility. Even the minor players bring sparkle and depth to their characters: Kristen Rolf...

Author: By Y. SUSANNAH R. mandel, CRIMSON STAFF WRITER | Title: Dark, Small Magic in a Quiet Space | 11/14/1997 | See Source »

Working with a recent English translation by Michael Dewell and Carmen Zapata, Baxindine has designed a languid, hauntingly lovely set of melodies to which several of the characters sing their poetry--Yerma's dream-monologues, a shepherd song by Victor, a complex six-part song by the village washerwomen--as well as incidental music. Exquisitely performed by Baxindine on piano and Marianne McPherson '01 on flute (filling in for regular Lori Sonderegger), the music fills the space of Old Library and combines with the delicate shifting of the light and the dreamlike lyricism of the poetry to create an atmosphere...

Author: By Y. SUSANNAH R. mandel, CRIMSON STAFF WRITER | Title: Dark, Small Magic in a Quiet Space | 11/14/1997 | See Source »

Dramatic crackerjack that it is, Fuente Ovejuna still lands its director in all sorts of difficulties. Lope de Vega sticks to the courtly writing conventions of his day: his shepherds display admirable eloquence, intellectual curiosity and a penchant for Socratic dialogue; his washerwomen have quicker wits and sharper tongues than Oscar Wilde, and all his characters indulge a fondness for spontaneous poetry in the throes of battle, rape and torture. Nor did the author subscribe to total proletarian emancipation: Subcurrents of aristocratic patronage and the social contract irk modern-day viewers. And the script deserves to be adopted...

Author: By Edward P. Mcbride, | Title: The Speedy Rise and Fall of Fuente Ovejuna | 10/28/1993 | See Source »

...under the quiescent surface, the city remained rigidly divided. The Cambridge Chronicleused jokes about "Paddy" as space fillers; the Yankees used the Irish as domestics and washerwomen; and as the Irish population in East Cambridge swelled and inched westward, the Yankees living on Putnam Hill moved...

Author: By Wendy L. Wall, | Title: Cambridge Eyes Were Smiling | 10/4/1980 | See Source »

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