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Word: vividness (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Detective Story. Varied and vivid documentary melodrama of life in a Manhattan police station (TIME, April...

Author: /time Magazine | Title: The Theater: Best Bets on Broadway, Apr. 25, 1949 | 4/25/1949 | See Source »

Once it really starts moving, The Traitor is a tense piece of theater, paced and sharpened in Jed Harris' best Broadway manner. It is a vivid spy melodrama in which everything seems a little more ominous for being so much of the moment. It refurbishes old situations with such new gadgets as Geiger counters; it endows standard roles with new wrinkles. The Russian spy (suavely played by John Wengraf) is a cynical worldling whose motive is money, not Marx; the chief intelligence officer (winningly played by Lee Tracy) is a humorously rueful fellow who has a horror of muffing...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Apr. 11, 1949 | 4/11/1949 | See Source »

John L. Lewis, a man of vivid dislike, has no use for James Boyd. The reason is secondhand: Lewis primarily doesn't like Secretary of Interior Julius Krug, whom Lewis once described as having a "squirt mentality and a balloonized physique." So when Krug got the President to appoint Boyd director of the Bureau of Mines two years ago, Lewis blackballed Boyd...

Author: /time Magazine | Title: LABOR: Spring Mourning | 3/21/1949 | See Source »

...pictured again & again in all weathers. Compared with Cézanne's faultlessly constructed landscapes, Masson's were explosive in composition. Cézanne's seemed to have the range of a 75, Masson's that of a cap-pistol-but they popped with the vivid brushwork that had always been his trademark...

Author: /time Magazine | Title: Art: More Innocent, More Detached | 3/21/1949 | See Source »

Richard III is prentice Shakespeare (some have argued that it is not all his) and in it the early Bard catches only the surfaces of evil. But he gives Richard two thoroughly vivid characteristics: a malign, gloating wit and a flamboyant love of effect. The role is an actor's dream because Richard is himself forever acting-throwing not a dark veil but a bright light round his hypocrisies, welcoming, not wincing at his bloody crimes. Seldom has there been such joy of villainy...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Feb. 21, 1949 | 2/21/1949 | See Source »

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