Search Details

Word: vividness (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...made a rapid recovery. He went down on a Guggenheim Fellowship, carrying a Brownie, and returned with a suitcase full of snapshots to use for filling in the details of his imaginary compositions. He found the life of the Indians, in rags beneath their ancient monuments, as moving and vivid as his gloomiest dream. "There's always some disaster," he says happily. "They spend half their lives in the fields and on the roads-without an auto, without a Frigidaire. The bareness is what appeals...

Author: /time Magazine | Title: Art: The Happy Pessimist | 5/24/1948 | See Source »

...distinguished primarily for simple realism, a forthright, almost childlike honesty, a command of ordinary speech, a cool and effortless narrative style, quickened here & there with a mild, understated humor. The battle scenes are so vivid as to suggest Tolstoy's War and Peace, the common soldiers as clearly visualized as Tolstoy's peasants. Unlike Tolstoy's masterpiece, it is all war, not only in the sense that there are no scenes of peaceful life poised against the scenes of war, but in the sense that a knowledge of the meaning of peace is absent from the psychology...

Author: /time Magazine | Title: War & No Peace | 5/10/1948 | See Source »

Roger Lemelin, himself the son of a mulot, has drawn, in The Town Below, a thickly atmospheric portrait of St. Sauveur. He wrote it on the family kitchen table, while his numerous brothers & sisters did their homework on the other end. Lemelin loves the vivid, sharp-tongued mulots but at times he is overcome with despair over their backwardness and superstitions...

Author: /time Magazine | Title: Adolescence in Quebec | 5/10/1948 | See Source »

...only to Frederic Remington's. "Those tired old nags at the rodeo," he says chuckling into his snowy cavalry mustache, "don't know the first thing about bucking." Invited on two scientific expeditions to Africa, Leigh sketched constantly and confidently, came back to paint a series of vivid panoramas for the New York Museum of Natural History's African Hall...

Author: /time Magazine | Title: Art: Painter on Horseback | 5/3/1948 | See Source »

...painting from the model or still life. The window looks out on to the uncared-for garden, and provides the quietest view in the room. Everywhere else one looks is blazing with color: bright silk cushions, bric-a-brac, copper vases, flowers, fruits, costume jewelry, feathers, and yards of vivid material looped over chairs or hanging ready for his models. In one corner stands a huge aviary which used to be flashing with Milanese pigeons (most of them died during the war). An old-fashioned country telephone perches on a stand in one corner. The walls are thick with paintings...

Author: /time Magazine | Title: Art: Beauty & the Beast | 4/5/1948 | See Source »

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