Word: visualizer
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Lucien Castaing-Taylor and Ilisa Barbash originally planned to make a movie about rural environmentalism, but after three summers in the Montana mountains and over 200 hours of footage, they ended up with one about sheep. In “Sweetgrass,” the husband and wife duo, Visual and Environmental Studies and Anthropology Professor and Associate Curator of Visual Anthropology at the Peabody Museum, respectively, follow hired hands as they bring sheep across the dangerous Absaroka-Beartooth Mountains to graze for the last time...
...stage against a backdrop of flashing animation created by VJ software, the same kind used in today’s nightclubs and bars. Enormous multi-colored shapes and lines streamed across the screen, all created in real-time by Hagebölling’s students as a visual response to Grubingers’ musical selections. The mood created by these animations was explosive—the popping lights of the final piece transported the viewers from the concert hall to the heart of a dance club...
Crouching is the only way to look through the six- by four-inch peep-hole into the giant wooden box on display in the Sert Gallery at the Carpenter Center for the Visual Arts. The box is 20 feet by 10 feet and four and a half feet high—but only those 24 inches of surface area are transparent. The rest is plywood...
...same holds for visual artists. “I’m obviously not a worker who has been subjected, I’m quite the opposite,” said Lehyt. “But everyone does something—I also do something. Art is labor...
This breathtaking adventure movie is original in many ways. “The Secret of Kells” is 95 percent hand-drawn, a technique nearly abandoned since the Disney Golden Age, and it stands out as a visual gem. Moore uses vibrant colors to create an innovative animation which weaves together medieval Celtic art and unique, contemporary imagery. On a plot level, the stakes in the film are not so much about losing one’s life as losing sacred spiritual knowledge...