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...dearth of gallery space has ranked among the major complaints about Harvard’s arts scene for student artists and Visual and Environmental Studies concentrators, who are seeking alternate spaces on campus to showcase their...

Author: By James K. Mcauley and Julia L Ryan, CRIMSON STAFF WRITERS | Title: Student Artists Lack Gallery Space | 4/2/2010 | See Source »

...lack of gallery space has not only affected students’ ability to showcase their works, but has also impacted the sense of community among visual artists on campus...

Author: By James K. Mcauley and Julia L Ryan, CRIMSON STAFF WRITERS | Title: Student Artists Lack Gallery Space | 4/2/2010 | See Source »

Often, by the time directors meet with Ding, they will have already given a lot of thought to the visual representation of their shows in publicity materials. Inspiration comes from a number of sources, including the show’s own set design and images of the production from past performances. “Even beautiful images from the Internet or films—like screen shots from movies—can inform the graphic design work for a poster,” she said...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

...notices the white shore, white ferries, white wine, the “white scream” of birds, and even the whiteness of the page as his poem comes to a close. In his constant encounters with objects washed in white, Walcott is trying to create a kind of visual rhyme. In his poem “In Italy,” in which he speaks of his experience in Italy as an elderly man, he writes, “my hair rhymes with those far crests and the bells / of the hilltop towers number my errors...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: ‘White Egrets’ Wades Through Memory and Regret | 3/30/2010 | See Source »

...show also frequently stages its actors in a kind of visual triptych, arranging characters and props in three distinct groups, be it three couples at a dinner party, three inmates in jail, or three melancholy adding men toiling at their monotonous work. The tripartite visual tableau frequently created by the staging suggests a fixed, sorrowful moment in time—a moment which invites scrutiny from a distance, like a painting on a wall...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Machine’ Fails to Add Up to Success | 3/30/2010 | See Source »

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