Word: violins
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Holding nothing back, Luisi moved to all corners of the podium as he gestured for biting brass punches to give way to penetrating piccolo runs and rumbling timpani rolls, all of which punctuated violin parts frenetic enough to break a few strings along the way. The brass section was assertive and bold, but never shrill in its approach, inserting sarcastic staccatos in the most traditionally irreverent of places. Luisi urged the ensemble to a pleasantly deafening climax, raising questions as to why the BSO doesn’t program entertaining pieces like these more often...
...professional violin soloist and a member of the Harvard-Radcliffe Orchestra, has been assisting Mike with the technical aspects of the violin part. “It’s been a unique perspective seeing the piece come together because usually I will play pieces that have been written already,” she said...
...white-boy duo Kings of Convenience—otherwise known as Erlend Øye and Eirik Glambek Bøe—have found the most commercial success. Critical acclaim up to this point has been well-deserved: their delicate guitar strumming, occasionally infused with piano, horns, and violin, channels the pared-down acoustics of Pink Moon-era Nick Drake and warm harmonizing of Simon & Garfunkel into gentle, unassumingly beautiful melodies. Øye, the Paul Simon of the pair, sings in a slightly accented baritone about girls he’s once known or wishes...
Though lacking any stand-out single, moments of beauty are flecked throughout. Three broken chords plink out a simple, reassuring repetition in lullaby-like opener “24-25.” A lovely seesawing violin ushers in one of the album’s relatively fuller tracks, “Peacetime Resistance.” And Øye’s voice haunts the skeletal structure of “My Ship Isn’t Pretty” with brooding lyrics like “The sky was the blankest sheet / We drew lines upon...
...still their most perfectly crafted pop song to date, a stair-stepping piano outro elevates a jaunty beat to perfection; on 2001’s “I Don’t Know What I Can Save You From,” a gorgeous, transcendental violin solo strikes up around the three-minute mark. Every song on “Declaration,” on the other hand, pleases in almost exactly the same register from beginning to end. Kings of Convenience has never aspired to the shimmering textural distortions or swirling build-up of similarly laid-back bands...