Word: violins
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Dates: during 1930-1939
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Three years ago, Violinist Jascha Heifetz asked Composer Walton to write him a violin concerto. Last spring Composer Walton delivered the completed manuscript at Heifetz' Connecticut estate, and last week in Cleveland Violinist Heifetz, with fidgety Artur Rodzinski's streamlined Cleveland Orchestra as background, gave the new concerto its first performance. Well-woven as a Paisley shawl, Composer Walton's opus proved warm as well as intricate. And though Cleveland's dowagers found its texture scratchier than crepe, Cleveland's critics fingered its solid warp & woof with enthusiasm. Said Clevelander Rodzinski, rolling a long cigaret...
...viola is in nature an undersized pansy. In art it is an oversized violin with a tubby, whiskey-contralto voice. Except for low-moaning the inner voices of symphonies and string quartets, it is not good for much. Most of the time it merely plays pah to the cello's oom. Most of the people who pull horsehair bows over its goatgut strings are ex-violinists who failed to make the grade...
When he was a little boy in Glasgow 30 years ago William Primrose loved to saw away at an old viola that was around the house. His father, who was himself a disappointed viola player, strongly objected, set little William to practicing the violin instead. But William never forgot the charms of the forbidden viola. Years later, in Brussels, when his teacher, the late great violinist and tosspot Eugene YsaŸe, told William he had special aptitude for the viola, he switched to it for life. In 1937, when NBC officials were recruiting their new NBC Symphony, they heard...
...inchworm revolving at the end of a twig, but for all his groping indecision his moonlit fantasies are spacious and simple in design. They reflect his eccentricities (he once proposed marriage to a neighbor the first time he met her because he liked the tone of her violin), his essentially happy life, spent doing what he most wanted to do. "The artist," Ryder once said, "needs but a roof, a crust of bread and his easel, and all the rest God gives him in abundance...
...Concertino for Piano and Orchestra which the Boston Symphony played last week, for instance, has long passages in a distinctly lyrical mood. Roussel's String Trio, Op. 58, which was played at the Longy School last evening, shows how remarkably his style had softened since the time of his Violin Sonata and the works of his middle life. The same development is apparent in Prokofiev. The change from the acrid dissonance of works like the Scythian Suite to the out-and-out romanticism of the G minor Violin Concerto is one of the most striking examples of what has been...