Word: violinists
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Dates: during 1970-1979
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...York the pavement moans under you. A crazed auteur manipulates the crowds as they trot out of the Circle in the Square and the Uris simultaneously, steering them to another train of limos and a field of rusty Chryslers. The violinist's eyes reflect the melancholy dreams of a man who has spent this evening sidewalk-hopping. His bow claws at his violin while he glances woefully at the case at his feet, a felt-covered basin for six quarters, nine dimes and a tribe of pennies. "C'mon folks, if you give a little more, I won't play...
...Jonathan Swift's next Monday and Tuesday on a double bill with the Art Ensemble of Chicago, belongs to an odd generation of musicians who have performed and recorded a large body of influential music without ever reaching beyond a narrow, rather cultish audience. The 47-year-old violinist has been a primary member of the Creative Construction Company and the Revolutionary Ensemble, two groups that have provided important alternatives to the stale conventions of the post-Coltrane New York avant-garde. All the same, Jenkins is hardly a household word, even in the rarefied vocabulary of the modern jazz...
Jenkins is unique among the few top-notch violinists that jazz has produced. Stephane Grappelli and Joe Venuti have been the instrument's two most successful improvisors, each using a fluid instrumental technique that can approach the offhand fluency of a saxophone or trumpet. Jenkins is the most violinistic violinist in improvised music; his effective use of double-stops (two notes bowed together), rapid bowing, and pizzicato techniques places him much closer to the classical violin tradition than any of his predecessors in jazz...
...listening time. (A further set, presumably comprising Webern's juvenilia and unpublished works, is planned for release at a later date.) The generally excellent performances, recorded over a period of 41/2 years under Pierre Boulez's direction, feature the London Symphony Orchestra and such guest artists as Violinist Isaac Stern, Pianist Charles Rosen and the late Gregor Piatigorsky. They supplant in every way the pioneering complete Webern recorded by Robert Craft in the 1950s, also on Columbia. The postman may never whistle Webern's melodies, as Webern predicted. Many listeners may never get past what sounds cryptic...
...Western and Eastern Europe during its ten-year career. Consisting of fiddle, harmonica, bodhran (a flat goatskin drum) and penny whistle, the group takes its name from the sound the fiddle makes-nee ningy, nee ningy, nee ningy. Its members carry camping equipment, often stay in local homes. Says Violinist Rachel Maloney: "You learn to live with the insecurity, just as you learn to live with security...