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...Paulus’ appointment also reflects another need. Despite the theatre??s association with Harvard, some have faulted the A.R.T. for not paying enough attention to the undergraduate population it was originally created to support...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: Tough Task for New A.R.T. Head | 6/4/2008 | See Source »

...Paulus will be faced with the monumental task of not only restoring the theatre??s aesthetic, but also improving its financial viability and its status a haven for the study of drama...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: Tough Task for New A.R.T. Head | 6/4/2008 | See Source »

...undergraduate, Diane M. Paulus ’87 used to purloin production posters from the lobby of the American Repertory Theatre??s (A.R.T.) Loeb Drama Center, then hang them in her Cabot House dorm room. Paulus will more than make up for her pilfering, serving as the next artistic director for the Harvard-affiliated A.R.T., the University announced Friday afternoon. The announcement comes after a protracted search that began over a year ago, after the theater’s board of directors decided not to renew the contract of then-director Robert Woodruff, whom some criticized...

Author: By Alexander B. Cohn, CRIMSON STAFF WRITER | Title: A.R.T. Finds New Leader | 5/19/2008 | See Source »

...secretary is not a toy!” Future corporate moguls in the audience would do well to take heed when John F. Pararas ’08-’09 sings that very message in Cabot Musical Theatre??s production of “How to Succeed in Business Without Really Trying.” The show will go on Thursday and Friday in the Cabot House Junior Common Room. Originally three hours long, the musical opens on Thursday as a lighter, two-hour version. The production is full of Cabot House spirit, from the cast...

Author: By Sha Jin, CONTRIBUTING WRITER | Title: Cabot House Goes Corporate | 4/29/2008 | See Source »

...piece of the performance to Kurt Weill’s and Bertolt Brecht’s “The Threepenny Opera.” The music for the piece was performed by The Harvard Wind Ensemble, which was able to accompany the dancers due to the New College Theatre??s large orchestral pit.Bergmann found this first collaboration with a large-scale live musical group a success, although it wasn’t without difficulties. She feels that live music offers a more dynamic experience than recorded music. “It’s very vibrant...

Author: By Sasha F. Klein, CONTRIBUTING WRITER | Title: Winds Keep Dancer on Their Toes | 4/11/2008 | See Source »

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