Word: theatreã
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...cousin Ronald (Kristoffer King) further complicates her emotions. Cousin Alan (Coco Martin) has impregnated his girlfriend, Merly (Mercedes Cabral)—a one-way ticket to the altar and another mouth to feed. And all the while, “service” men gather in the theatre??s lobby and cinema, selling themselves to the gay frequenters for as much as 300 pesos—the equivalent of about six American dollars—for “full-service.” Despite the seemingly unique living situation, the normalcy of the characters?...
...Sarabande,” “Falling Angels,” and “Sechs Tänze.” A presence just as prominent as the Boston Ballet dancers, they became the embodiment of Kylián’s social critique.The Wang Theatre??s heavy curtains first opened to reveal a white dress and a male dancer. Amidst a tense silence, a spotlight rested on the ruffled costume. The lighting was simple, a method used by Joop Caboort throughout the show to emphasize the minimalist nature of Kyli?...
...eyes—and a door that transitions the other half of the stage into Kulyenchikov’s marketplace. A balcony center stage allows for a comical sequence between Sophia and Tolchinsky that parodies “Romeo & Juliet.” DeMita makes the most of the theatre??s limited space, adding varying levels and colorful accents to keep the show visually dynamic. His lively directing takes advantage of the intimate, crammed stage, providing the audience with aesthetically appealing details from nearly every angle.Less varied than the set, the light design by James Petty is nevertheless...
...says. The first act is set in a forest, while the second takes place in London, although the change between the two acts is minimal to preserve the same whimsical feeling throughout the show. Using Miller’s advice and the unique demands of the Agassiz Theatre??s odd dimensions as her starting point, Lin took into account all views from the audience when designing. “The set is dominated by two trees on either side of the stage,” she says. “The backdrops and sidedrops are painted like...
...MacArthur that was first produced in 1928—attests to this stereotype, characterizing journalism as an elitist gentlemen’s club. But in BlackCast’s current production of the play—which opened last night and will run through Nov. 15 in the Agassiz Theatre??director Andrew C. Coles ’09 takes creative liberties to accurately portray modern society’s heterogeneity. Browsing the original cast list, one thing is certain—if you’re either a woman or a person of color, you aren?...