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Word: thackeray (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Author Hutchinson has stirred away so bravely that Elephant and Castle, his character-caravan of London between the wars, is currently being compared by blurb artists to the novels of Dickens, Trollope and Thackeray. He has cooked so many people into his plot (over 100 in all) that he has had to include an explanatory list of them. His dialogues range from the chirpings of Armorel's ultra-refined relations ("Cousin Freddie, don't you think it's awful for Mums, seeing the last little chick fluttering away from the nest?") to the Anglo-Genoese babblings...

Author: /time Magazine | Title: Books: Miscalculated Mission | 2/21/1949 | See Source »

...excepted), the reigning wits of Punch have met in an elegant office at London's 10 Bouverie Street to eat, drink beer, make puns, argue politics and carve their initials in the dining table. Last week, at the famed Punch Round Table, the ghosts of onetime Punchinellos Tennyson, Thackeray and Mark Lemon might have quit the premises in disgust. For the first time in its history, the venerable humor magazine was to have an editor who was an artist instead of a writer...

Author: /time Magazine | Title: The Press: Good Humor Man | 12/27/1948 | See Source »

...conception of "the artist." To Connolly, art is a fragile thing, and its maker a highly vulnerable esthete. Gide, Proust, Strachey, Rimbaud and other artists of a particularly tortured and susceptible nature are his inspiration; he draws none from more robust types such as Dickens, Trollope, Shaw, Dostoevsky, Thackeray. His artist is a creature entirely different from the rest of humanity-a fact that makes Connolly regard Mr. Shelleyblake's failure as something horrifying and unusual, as though it were not a common fate in all walks of life...

Author: /time Magazine | Title: Books: Who Kills Cock Robin? | 12/27/1948 | See Source »

Virginia Woolf appreciated the massive social novels of Fielding and Thackeray, but they did not even write about the questions that interested her. She sought to penetrate beyond the appearances of daily experience to the inner core of life. For this she employed three essential symbols : Time, Space and the Sea, the perennial aspects of life's hazy patterns. By concentrating all of her attention on a moment's experience she tried to detect its ties with the past, its anticipation of the future. And while she could not answer the questions she posed, she found...

Author: /time Magazine | Title: Books: Inspired Breathlessness | 4/5/1948 | See Source »

Last week, the manuscript from which Thackeray read was published-in facsimile -by Manhattan's Pierpont Morgan Library. It was a handsome $35 book, in a limited edition of 1,000 copies. Americans might have seen some of Thackeray's illustrations before (in the Everyman's Library edition), but the Morgan copy was in Thackeray's own neat, minuscule handwriting, and in his watercolors. Thackeray's absurdly hawk-nosed countesses, spindle-shanked kings, periwigged barons, and tubby, pimply princes looked as fresh as if he had just laid down his pen and brush upon...

Author: /time Magazine | Title: Art: Blighted Wretch | 12/22/1947 | See Source »

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