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Word: symbolism (lookup in dictionary) (lookup stats)
Dates: during 1890-1899
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Usage:

...Folk-lore tales illustrated from ancient sculptures.- The Wheel as symbol of the Doctrine...

Author: NO WRITER ATTRIBUTED | Title: The Buddhist Teaching. | 5/6/1896 | See Source »

...Harvard Fencing Club. The trophy, which is to be an appropriate brouze statuette, has not yet been completed. The executive committee took this stand on the ground that the Harvard club could not be challenged for a trophy that it has never received, and also that the symbol of the victory of last year's team might be publicly exhibited in the University, even if it be only for a short time...

Author: NO WRITER ATTRIBUTED | Title: Harvard-Columbia Fencing. | 3/19/1895 | See Source »

...Jews unquestionably received their idea of the devil at the time of their captivity. He is not spoken of in Genesis, although some regard the serpent in the Garden of Eden as a symbol of the devil. The first mention of Satan is made in Job, which, it is claimed, was written at the time of the captivity. In this book Satan is still an angel and has not yet become a tempter. The next mention of him is in Zechariah; and in Chronicles the idea of him is complete. The introduction of the idea of a devil made...

Author: NO WRITER ATTRIBUTED | Title: Dr. Everett's Lecture. | 1/22/1895 | See Source »

...science and the understanding, seeks to give ideal expression to those abiding realities of the spiritual world for which the outward and visible world serves at best but as the husk and symbol. Am I wrong in using the word realities? wrong in insisting on the distinction between the real and the actual? in assuming for the ideal an existence as absolute and self-subsistent as that which appeals to our senses, nay, so often cheats them, in the matter of fact? How very small a part of the world we truly live in is represented by what speaks...

Author: NO WRITER ATTRIBUTED | Title: Books and Libraries. | 3/30/1894 | See Source »

...Realist of the Ruskin type it is a tool of wood and iron, every fibre, every grain, every slightest characteristic of which, even the name branded in scarcely legible letters on the handle, must be painted with the most painful accuracy. For the Impressionist it is the symbol of labor, a mass of shadow against a twilight sky, suggesting peasant toil and suffering. Between these we must decide. We want neither a collection, a conglomeration of geology and botany, nor a vague, indefinite suggestion of a possible truth; it is something between the two which is the true representation...

Author: NO WRITER ATTRIBUTED | Title: Art Lecture. | 1/27/1894 | See Source »

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