Word: sutherland
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Dates: during 1940-1949
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...MacArthur. Hardest hit by Kenney's free-swinging, almost casual criticism is General Richard K. Sutherland, Arthur's wartime chief of staff (since retired). Admitting that Sutherland was "smart," Kenney also says that "an unfortunate bit of arrogance, combined with his egotism, had made him almost universally disliked . . . Sutherland was inclined to overemphasize his smattering of knowledge of aviation." The showdown came during the very first week, when Sutherland tried to write the orders for Kenney's first big show. Writes Kenney: "I told him that I was running the Air Force because I was the most...
...been in the headlines oftener than they were. The answer was that their arguments were largely intramural; they had not got in spectacular knockdown fights with other branches of Government, as for example, had their predecessors, the Nine Old Men. That court, dominated by McReynolds, Van Devanter, Sutherland and Butler, defiantly stood against a social revolution. This court was part of the revolution...
This week, the as-yet-unsponsored Black Robe goes on the TV screen for the fifth time, and Lord-satisfied with its format-has turned it over to ex-Movie Director Ed Sutherland, who will run it for NBC. Heading north to his 3,000-acre island off Mt. Desert in Maine, Lord carried with him the idea for another TV show. "I'm going to call it Sidewalks of New York," he said. "It might open just showing people's feet as they walk along, or maybe just their heads. And I'll show reflections...
...Gambling," says Painter Graham Sutherland, "is awfully like painting. However much you know about painting there's always the gamble as to whether that actual physical touch will do what you want it to." At 45, Sutherland is one of Britain's best landscape painters; until lately he had never tackled realistic portraiture. When his first try, a full-length oil of Author Somerset Maugham, was finished last week, artist and sitter agreed that the gamble had paid...
...Like Sutherland's landscapes, the portrait had the hot, bright colors of the Riviera, where he lives much of the year. His landscapes, more than halfway abstract, showed things like grasshoppers hopping into scarlet immensities and bushes brandishing their thorns at green skies. The portrait was equally harsh. Posed against a livid yellow background, Maugham sat with folded arms beneath a fringe of tropical palms. His jut-jawed old face seemed to betray a struggle between pain and hauteur...