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Word: suffered (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

TIME'S cynical theater reviewer is not only deaf to The Sound of Music, he must also suffer from a basic inability to enjoy some of life's simple pleasures [Nov. 30]. If Mary Martin can ever be "a little too lovable," I want to be there...

Author: /time Magazine | Title: Letters, Dec. 21, 1959 | 12/21/1959 | See Source »

...Yale '88) mulled over the matter for a moment, then wired back to New Haven: "Thanks for your good telegram telling me of the distinction which has befallen me. I shall try to behave myself for the rest of my days so that dear old Yale will not suffer...

Author: /time Magazine | Title: People, Dec. 21, 1959 | 12/21/1959 | See Source »

...words of John XXIII were not calculated to give the world's press any ease. "Can the Pope," asked he, "remain indifferent to press accounts which have nothing to do with instructions or honest information? Does his heart not suffer at the thought of the poison broadcast widely, without concern for so many innocents? Can it be legitimate to pander to morbid curiosity with details and descriptions that had better be left in the files of the police laboratories and the courts? Is it ever licit to use every criminal act, over which it would be better to draw...

Author: /time Magazine | Title: The Press: The Pope & the Press | 12/21/1959 | See Source »

Chin P'ing Mei ends Hsi Men's story here. But a sequel, possibly by the same author (who may be the famed 16th century scholar and statesman Wang Shih Cheng), describes how the scoundrel's virtuous widow, Moon Lady, and her infant son suffer for Hsi Men's egregious gong-kicking. The work is Ko Lien Hua Ying, or Flower Shadows Behind the Curtain, translated into German by Sinologist Franz Kuhn and now passed on to English readers, fire-bucket fashion, by Translator Vladimir Kean. The result, somewhat surprisingly, is wry and readable...

Author: /time Magazine | Title: Books: Wind & Moon Play | 12/21/1959 | See Source »

...reading, a compendium of elegant phrasing, effortless roulades, and delicious, unforced tone (for which the piano is probably due some credit) was the performance of a knowing, sensitive professional. But the Orchestra is only a good civic ensemble, and hazy string entrances or out-of-tune winds naturally suffer in the face of such suavity. Nevertheless, Mr. Manusevitch is a fine musician, and his accompaniment was tasteful, and appropriately reserved...

Author: By Edgar Murray, | Title: Cambridge Civic Symphony | 12/15/1959 | See Source »

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