Word: styling
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Dates: during 1960-1969
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...familiar fandango of images, and a few other works that stand outside the mainstream of the New York School are also there. The museum gives each artist a lot of space, usually at least half a room, so the viewer can see some progression of the individual's style...
...substance of paint itself. Pouring brown and grey paint. Pollock splashes a mood of autumn over the surface of the canvas. The paint holds the emotional energy of his action. Despite the element of chance inherent in Pollock's method of dripping paint, his gestures compose a completely personal style...
Concentrating on sweeping brush strokes, Willem de Kooning also surrenders his style to the specific manner of applying paint to canvas. Pollock, de Kooning and Hans Hoffman evoke feeling purely through the motion of paint, creating some of the most beautiful works in the exhibition. The immediate texture of paint brings action to the surface of the canvas, while space is suggested by particularly dense areas...
...addiction to consistent play, the Crimson will need a higher shooting percentage than it had in the Dartmouth game to deal with the B. U. multiple-style defense. The Terriers alternate presses, zones, and man-to-man defenses in an effort to unsettle their opponents...
Wildcat forwards began chasing Harvard defensemen into the corners with determination almost immediately, and only the Crimson's calm retention of its position play style, combined with junior Bruce Durno's superb goaltending, kept New Hampshire...