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Word: styling (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Unfortunately, the talk and B. C.'s rough, bruising style usually are enough to get Harvard's number no matter what sort of material shows up at Chestnut Hill each winter. The Eagles have won five of the last six games, including three in overtime, and when the two teams meet tonight, Harvard will be the underdog once again...

Author: By John L. Powers, | Title: Snooker's Fight Talk Is B. C. Edge Hockey Team Faces BC Tonight, Second Place in East is At Stake | 12/17/1969 | See Source »

...Eagle style of hockey is based on hard-hitting and harder shooting. With lessened emphasis on finesse or precision play. It is not designed so much to be an end in itself, but primarily a means of throwing the opposition off its own game, and it is highly successful, especially against Harvard...

Author: By John L. Powers, | Title: Snooker's Fight Talk Is B. C. Edge Hockey Team Faces BC Tonight, Second Place in East is At Stake | 12/17/1969 | See Source »

Clearly the key to a Harvard victory this evening will be its determination to stick with its style despite B. C. harassment, and the fact that the game is being played at McHugh Forum, one of the East's more renowned snakepits, will not make the task any easier...

Author: By John L. Powers, | Title: Snooker's Fight Talk Is B. C. Edge Hockey Team Faces BC Tonight, Second Place in East is At Stake | 12/17/1969 | See Source »

...terms of raw talent, the Eagles can't quite match Harvard, B. C. has only one line that can skate with the Crimson, an untested and shallow defense, and instability in the goal. But it has the ability to throw Harvard off its style and there is always the Snooker fight talk. It may just be another overtime game...

Author: By John L. Powers, | Title: Snooker's Fight Talk Is B. C. Edge Hockey Team Faces BC Tonight, Second Place in East is At Stake | 12/17/1969 | See Source »

DURING THE ten years between this and the second Mabuse Lang's dramatic construction and visual style underwent radical changes, changes basically of social perspective. Leaving films full of personalities, he began to make long-shot Expressionist dramas without real characters: the two Nibelungen movies and Metropolis. Abandoning these fatalistic myth-abstractions, he returned in M (1931) and The Testament of Dr. Mabuse (1932) to films that treated social reality directly in the actions of a few closely connected characters...

Author: By Mike Prokosch, | Title: The Moviegoer The Testament of Dr. Mabuse at 2 Divinity Avenue tonight | 12/17/1969 | See Source »

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