Word: strindberg
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Dates: during 1950-1959
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...Strindberg is the forebear of O'Neill, Ibsen is the inspiration of Arthur Miller. Convinced that "a new production of the play on the tradition basis would truly bury Ibsen for good" Miller has made an adaptation of Enemy of the People that strips away much of the pedanty and Victorianism of the play. Yet the injection of the Miller touch and the attempt to up-date the speech and action undercuts some of the play's force and argumentative strength...
Died. Alfred Kubin, 82, Austrian graphic artist in the great tradition of Diirer and Holbein, whose preoccupation with death and decay took shape in grotesque, pitiful figures trapped in a maze of twisted lines, mostly illustrations for books of authors particularly fascinating to him: Edgar Allan Poe, Dostoevsky, Strindberg; in Zwickledt, Austria...
...other Ballet Theatre new works, Swedish Choreographer Birgit Cullberg's Miss Julie was an unqualified success. Long popular in Europe, Miss Julie sticks closely to August Strindberg's savage little drama of the same name about a neurotic, highly sexed "half-woman" who seduces her family's butler during a wild celebration of Midsummer Eve. Shamed by the images of her aristocratic ancestors, she forces him to kill her. (In the original she commits suicide.) Danced by Violette Verdy and Erik Bruhn, it successfully translated the purely psychological tensions of the original into movement that was both...
...interesting juxtaposition, the Leverett House Dramatic Society is presenting an accredited masterpiece of the modern theater, August Strindberg's Miss Julie on the same double bill with a new play, The Questioning of Nick, by Arthur Kopit '59. And even more interesting is the fact that, without any doubt, Kopit's play takes the honors for the evening...
...Jean, the valet, Eugene Gervasi gives an attractive, albeit uneven, performance. The obvious charm which Strindberg has poured into the character is visible, in Gervasi's rendering, but the cultivated polish and the sinister selfishness underneath are not. Nevertheless, when the script offers him a sharp line, Gervasi delivers it with grace and a fine sense of timing...