Word: stolid
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Dates: during 1960-1969
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...office, the sly rumor went around Washington that, in fact, there were no Republicans in town. They certainly seemed invisible. Nixon himself appeared almost anxious to avoid the capital-weekending at Key Biscayne, summering at San Clemente. To some, his minions seemed scarcely distinguishable from one another, a solid, stolid bloc of Rotarians, Elks, safe Middle-American technicians. "Writing about the Nixon Administration," sighed Humorist Art Buchwald, "is about as exciting as covering the Prudential Life Insurance...
...confirms the epitaph. More characteristic of Saint-Gaudens' portraiture is the low relief of the children of New York Lawyer Prescott Hall Butler. To the two sturdy boys in their Scottish kilts, the sculptor has brought the understanding of a psychologist. The youngster on the left looks ahead, stolid and unafraid, but his older brother is already touched with care, and places his arm protectively around the younger. Dr. Henry Shiff, an intimate of Saint-Gaudens, was a surgeon in the Confederate Army who retired to Rome after the Civil War and there aided the sculptor when...
Quincy's new quarterback. Glenn Gessay, engineered a potent offense, chalking up many more first downs than his Lowell counterpart Ray Stitch. but the stolid Lowell defense constantly kept Quincy from scoring the tie-breaking touchdown. Despite the weather. Lowell's Cliflie cheerleaders Pam Wilkinson and Ann Yelland yelled on, accounting for Lowell's improvement over last week...
...final breakthrough came later in the year when he carved The Kiss. Nothing could be less like Rodin's voluptuous lovers than these stolid, blocklike figures. Where Rodin's lovers flicker and twist, Brancusi's lovers face each other straight on and are barely scratched on the surface of the stone. The tender surface of Rodin's burnished bronze palpitates with life; Brancusi's pitted limestone is all idea...
CZECH films have been in vogue for several years now, for a variety of stylish reasons. (Political capital is surely a featured consideration; American critics have a habit of translating the Czech's frequent portrayal of stolid bureaucracy--intended as neutral moral backgroun to more intimate drama--as veiled protest against socialist rule). Most Czech films share an "unstylish", descriptive approach to reality, attempting to cast social themes in individualized dimensions (Milos Forman, Jiri Menzel). But a few filmmakers have made a radical break with previous Czech film, abandoning descriptive conventions for vivid stylization and a strong strain of philosophical...