Word: steamship
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...imagination became the hero of the tale, for when a monstrous storm arose at sea, and the good captain was advised by all the voices of reason to sail around and behind the trouble, he of the consistent mind responded, "A gale is a gale, and a full-powered steamship has got to face it." That he did. The ship was knocked to pieces, but it did get through...
...finance his brainechild, Fitzearruldo attempts to claims a large expanse of unexplored territory and cash in on the huge rubber free crop. In order to reach the area, however, he must unvigute up one river and cross over a ridge of land to another river--drugging one large steamship and host of manacing Indians in his wake...
WITH THE GROUNDWORK thus laid out. Herzog sends Kinski and his crew up the river. They chug in a rickety steamship chiristened the Molly-Aida--a name which contains the symbolic kernel of film. The yoking of Molly (Claudia Cordinate), a brothel madame, and Fitzearruldo's mistress, and Verdi's opera is a neon sign for the Juxtapostio of Prostitution and Art. It's Imperialism and the Musc, strolling in hand up into the old Heart of Darkness. Unfortuantely, this potentialty interesting irony is crushed by the film's mass. P>Early in journey upstream. Herzog achieves one scene...
FIFTEEN HUNDRED MILES from the nearest flicker of civilization, in the depths of the Peruvian jungle, a mile-long clearing has been hacked to connect two rivers. On one bank rests a 300-ton steamship with its nose pointed up the 40-degree slope of a mountain, looking like a stranded whale waiting to climb a steep beach. A series of ropes connect the ship to massive human-powered wooden winches and a lone bulldozer. The engineer, who designed the system to tackle a 20-degree grade, has quite fearing for the lives of the Indian workers if a metal...
...which has yet to open in Boston, in turn follows the real-life story of bankrupt Irishman who dreams of producing the operas Carcuso in the Brazilian jungle. To raise the necessary capital to back his production, he decides to cash in on the rubber boom by taking a steamship to virgin tracts of jungle, carrying it a mile overland to an otherwise inaccessible river. The real Fitzcarraldo (so named because the natives could not pronounce Fitzgerald) cut a 20-ton steamship into 15 pieces to accomplish his made task. Herzog, in his reenactment, does not regard that as enough...