Word: soundtracks
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Dates: during 1960-1969
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Another impressive scene is the one in which a truck has to be turned around on a wooden platform hanging over the edge of a cliff. The cutting and soundtrack of this scene prove Clouzot to be a master at editing and timing suspense scenes. (Yvcs Montand is the hero of this scene...
Marker is especially careful not to integrate Koumiko and the city whenever the two come in direct contact. Koumiko is isolated when she is walking, behind a train window when she looks at the countryside, or present on the soundtrack but absent from the screen. In one sequence, we see Koumiko walking down a street next to a man whose face is obscured by a mirror he is carrying. Koumiko herself is not reflected in the mirror. She repeatedly looks to her right, then turns her head to see the same view in the mirror. As she does...
...French films of the thirties, exposes contradictions through reconstruction's. In the spring issue of Film Quarterly, Judith Gollub says that what attracted Alain Robbe-Grillet to the cinema was its ability to act on two sense simultaneously in a dialectical movement of statement and negation; in other words, soundtrack and image allow for greater possibilities of contradiction. Conventional documentary reconstructs reality through editing and asynchronous sound (voiceovers, etc.) and techniques borrowed form fictional narrative-music, establishing shots, distant shots, etc. Often, conventional documentaries contain footage shot in direct cinema style; however, they do not use it in unreconstructed form...
Rafferty said his film is based on President Nixon's Inaugural Address, which is used in the soundtrack. The film involved "a lot of nudity," Rafferty said, including a nude chase on skis that has already been filmed...
...pianist, Ken Lane. He released it as a single, and Everybody Loves Somebody carried Martin to the top of the bestseller charts for the first time in two years. In 1966, at a Frank Sinatra recording session, Bowen came up with a Bert Kaempfert melody from the soundtrack of the movie A Man Could Get Killed. With lyrics added, the song made one of Sinatra's biggest successes of recent years, Strangers in the Night...