Word: soderbergh
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Dates: during 1980-1989
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...LIES, AND VIDEOTAPE. Next question: Can a man and a woman be lovers without having sex? In Steven Soderbergh's elegant, poignant, very funny film, the answer matters less than the interplay of four congenially tortured souls...
...conflict, a little sex. Good stuff for a movie? Good enough for a pair of terrific movies: When Harry Met Sally . . . , written by Nora Ephron and directed by Rob Reiner; and sex, lies, and videotape, written and directed by Steven Soderbergh. Their characters are quick and engaging; they could be the thirtysomething folks on a good day, in a gilded mirror. As Ephron says, "People who live in cities aren't in car chases. We don't get shot at. What we mainly do is talk on the phone and have dinner." Her film and sex, lies serve...
...problem. In sex, lies, and videotape, Soderbergh suggests that abstinence makes the heart grow fonder. Ann (Andie MacDowell) is a Baton Rouge, La., housewife too decorous to go mad. Things with her lawyer husband John (Peter Gallagher) are fine, she tells her therapist, "except I'm havin' this feeling that I don't want him to touch me." They haven't had sex for a while. At least Ann hasn't; John is pursuing an affair with her lubricious sister Cynthia (Laura San Giacomo). Curiosity is about the only thing that can be aroused in gentle Ann, and when John...
...adult film" in the X-rated sense; it is an adult film, "patient and subtle," in its creator's apt words. It is about men who use women by watching them, and women tired of being the object of satyric attention. What amazes is that at just 26, Soderbergh displays the three qualities associated with mature filmmakers: a unique authorial voice, a spooky camera assurance, and the easy control of ensemble acting (Andie MacDowell, start polishing your acceptance speech). Soderbergh delivers so much and promises even more...
...directors of both pictures know the risk these days in mining the movie tradition of sophisticated comedy-drama that stretches from Midnight to Manhattan and Broadcast News. Before sex, lies earned raves at the U.S. Film Festival in Park City, Utah, and then won the top prize at Cannes, Soderbergh was apprehensive. "I thought the film would seem too European for an American audience," he says, "and too dialogue heavy to translate in Europe. I figured ten people would go see it four times, and that would be that." Reiner, a man Ephron describes as being "very fond...