Word: sinfonia
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VAUGHAN WILLIAMS: Sinfonia Antartica. Bernard Haitink conducting the London Philharmonic Orchestra (Angel; LP only). Many of Ralph Vaughan Williams' nine symphonies evoke a specific place or mood, among them the choral "Sea" Symphony, the matchless "London" Symphony and the gentle "Pastoral" Symphony. Others, like the exquisite Fifth Symphony, quote from the British composer's other works (in this case, the opera The Pilgrim's Progress). His Seventh Symphony, the "Antartica," does both. It began as music for the 1948 movie Scott of the Antarctic, and a few years later was transformed into a five-movement work. However suspect its origins...
...should have researched more before you said, in a round about way, that your town is better. We have hiking in the woods, fishing in Lake Superior, on small lakes and in trout streams. I cross-country ski, and downhill ski. I play in a children's symphony (the Sinfonia), attend recitals, and play in recitals. I go to special advanced science classes and my sister goes to advanced match classes. I have season's tickets to the Duluth-Superior Symphony, and there are plays at UMD, community theater, and the Depot. I play soccer, swim, water-ski, and bike...
...ambitious new production, George Balanchine's Symphonie Concertante (1947). This work has not been performed for 30 years, and survived only because it happened to have been transcribed in Labanotation (a system of symbols for preserving choreography). Symphonie Concertante is a reclaimed treasure. Set to Mozart's Sinfonia Concertante in E-flat for violin, viola and orchestra, it casts two ballerinas as the solo instruments, the brilliant Gregory as the violin, the mellower Van Hamel as the viola and surrounds them with a corps tracing patterns and recombining in gentle, eloquent classical phrases. Designer Theoni V. Aldredge...
...Whirligogs," an early work, exhibits the same concerns. Lubovitch, exploring the ways shape and emotional suggestion interrelate, relies on representational gesture just verging on the abstract. Accompanied by Berio's voice collage "Sinfonia," black-hooded dancers appear, then a man and woman in bared dress. The hooded dancers return unmasked, later reappearing disguised, only to toss their masks defiantly to the side, and then again appear as dark spirits surrounding and overwhelming the lovers. Lubovitch uses his costume flexibly, allowing the masks to suggest rather than to define possibilities. He realizes the unanticipated. As a voice in flat monotone recites...
...program opened with the Sinfonia from Bach's Cantata No. 209, 'Non sa che sia dolore', written about 1730 in Leipzig. The cantata itself is based on an actual incident--a friend is leaving Germany for his native Italy, and Bach wants to wish him well, despite the sadness in parting. The Sinfonia, in B minor, sets this tone, and somehow greatly resembles the first movement of the D minor violin concerto...