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...Ramiro switched to the University of Southern California, the next semester won a tuition scholarship, the Harvey Gaul Prize, Philadelphia's Eurydice Chorus award and a $500 BMI (Broadcast Music, Inc.) prize for a woodwind trio. He also set to work on an orchestral piece called Sinfonia Sacra, submitted it to the annual George Gershwin Memorial Contest. The judges: Conductor Dimitri Mitropoulos, Musicologist Carleton Sprague Smith, Composers Aaron Copland, Morton Gould and Peter Mennin...

Author: /time Magazine | Title: Music: In the Prize Ring | 4/18/1955 | See Source »

After three months with the 45 entries (all sent in anonymously), the judges picked Sinfonia Sacra, by Ramiro Cortés.* Last week, in Manhattan's Carnegie Hall, Conductor Mitropoulos played Cortés' work with the Philharmonic-Symphony. Its first movement (Kyrie) was a slightly stolid development of an oId Mexican tune in slow tempo; its second (Sanctus) was as reedy and antique sounding as a drafty baroque organ; its finale (Dies Irae), driven by busy motoric rhythms, included some fine furious flights of imagination and a paraphrase of an ancient Gregorian Dies Irae...

Author: /time Magazine | Title: Music: In the Prize Ring | 4/18/1955 | See Source »

...League of Composers has coaxed such patrons as Richard Rodgers and Irving Berlin to ante up for new music, arranged commissions of many diverse items, e.g., Copland's bright Music for the Theatre (1925) and Leon Kirchner's almost atonal Sinfonia in Two Parts...

Author: /time Magazine | Title: Music: The New Patronage | 1/24/1955 | See Source »

...most composers, growing old means growing mellower. But for England's Ralph Vaughan Williams, 80, the process is reversed. Last week the Halle Orchestra unveiled his seventh symphony, Sinfonia Antartica, and it proved as bleak as its title. Public and press, long accustomed to warmth in Vaughan Williams, went away with a case of chills...

Author: /time Magazine | Title: Music: Sound of the Antarctic | 1/26/1953 | See Source »

...prefer a turkey or a duck?" In any event, Bloch was not ready to let the quartet stand alone as the only testament of his 72nd year. After finishing the quartet (in April), he wrote Concerto Grosso No. 2 for Strings and String Quartet (August) a Sinfonia Breve (December) and a brief In Memoriam (also December). At week's end, with an energy that Churchill might applaud, he was off to Rome to hear a revival of his 1910 opera, Macbeth...

Author: /time Magazine | Title: Music: Mellowing Modernist | 1/19/1953 | See Source »

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