Word: shearer
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Dates: during 1940-1949
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...critics going back for comparisons to such ballet immortals as Anna Pavlova, Olga Spessivtzeva and Tamara Karsavina, the sometime partner of the great Nijinsky. Just behind Fonteyn were two other fine dancers who could take her roles: tall, handsome Beryl Grey, 22, and flame-haired, 23-year-old Moira Shearer, dancing star of the British film The Red Shoes (which has had a spectacular run of 13 months on Broadway...
...could not dance again for three months, though she was scheduled to open soon in Ashton's Cinderella, which she had rehearsed for six months. It was the first time anyone had even seen her crushed. Unable to endure London without dancing, she went to Paris. Moira Shearer danced Cinderella in her place...
...Russian dancer: Violetta Elvin, but she is married to a Briton who brought her out of Moscow after World War II. The two stars with the brightest shine were born in Surrey and Fifeshire: dark-haired Margot Fonteyn (TIME, April 15, 1946) and red-haired Moira (The Red Shoes) Shearer. The leading male dancer, Robert Helpmann, is somewhat of a foreigner-from Australia. Chief Choreographer Frederick (Cinderella, Facade) Ashton was born in Ecuador of British parents. Some of the ballets had unmistakably British subjects, among them The Rake's Progress (De Valois) and Hamlet (Robert Helpmann...
...great big tack in its bourbon barrel. Its state officials swarmed angrily on Washington, where the Bureau of Internal Revenue was deciding a momentous question: Is whisky stored in used casks just as good as whisky stored, Kentucky-fashion, in new charred white oak casks? Up rose Guy C. Shearer, administrator of Kentucky's liquor board. "Kentucky," cried he, "is a bourbon state . . . steeped in the knowledge and in the tradition of the production of whisky, both legal . . . and illegal." The Treasury, hinted Shearer, had better not tell Kentucky how whisky should be made...
...most powerful voice in Hollywood. The studio splurged on giving its films a plushy elegance and a high gloss. If some happened to be mediocre entertainment, they were well insured at the box office with such names as Marie Dressier, Wallace Beery, Greta Garbo, Norma Shearer, Joan Crawford and Clark Gable. During the '30's, while older film empires tottered, M-G-M saw to it that its parent, Loew's Inc., never skipped a dividend. For his pains, L.B. got 10% of the studio profits-a deal that made him a longtime fixture atop the annual...