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Word: shakesperian (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

Repertory--"Twelfth Night". A Shakesperian revival...

Author: NO WRITER ATTRIBUTED | Title: BOARDS AND BILLBOARDS | 12/13/1929 | See Source »

...bellows and boasts as a Major in the army of Bullgarial; and his poses, hitherto obnoxious, become enjoyable. I was almost induced to go the grave of John the Baptist and apologize for not understanding that he, too, was a braggart. Mr. Jewett forgot that he was the great Shakesperian actor, and became an understanding Shavion interpreter...

Author: NO WRITER ATTRIBUTED | Title: CINEMA CRIMSON PLAY GORE DRAMA | 11/10/1926 | See Source »

...from Sheridan to Robertson have been considered the absolute zero of the drama itself; when the Professor ends his lectures on Sheridan, he casts a long glance forward to 1865 and Robertson, dons his seven-league critical boots, and stamps his way quickly through the poetic drama and the Shakesperian revivals, which alone illuminate the "void, or chaos, of Georgian and early Victorian drama," leaving in his train disparagement and apology until he comes to the renaissance of realism in the work of Robertson and the Bancrofts, when he smiles again, and the class stops cutting...

Author: By R. G. Noyes, | Title: Extremely Palatable Reading | 6/8/1926 | See Source »

There is nothing like putting one's best foot forward, and certainly this Yale Game Lampy does that with an excellent cover by Saunders. Picture, if you will, a Shakesperian gentleman of no small fame, standing with a canine skull in hand, background of blue clouds and what might be Dunsinane Castle but looks more like a stadium, --and the words in his mouth you have guessed by this time. "Alas Poor Y--!" All well done, but we doubt if we can agree that the rest of the number holds up to that standard...

Author: NO WRITER ATTRIBUTED | Title: LAMPY PUTS BEST FOOT FORWARD IN YALE NUMBER | 11/22/1924 | See Source »

Music written to Shakespeare affords interesting observation. Most of it is not so good, and very few pieces rise to the remotest inkling of the grandeurs of the original. Especially is this true of the Shakesperian plays made into operas. Both librettos and music are sad mirrorings. Verdi's Otello and Falstaff, with their scholarly librettos by Boito are the only operatic compositions that ascend within sight of Shakespeare. They are not faithful to the poet in spirit-they sober down his great madness, adding to it a classical and austere elegance of form...

Author: /time Magazine | Title: Music: Shakespeare | 12/24/1923 | See Source »

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