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Rebellion. Like Henry Ford, who broke the Selden pool of automotive patents in 1911 by refusing to pay royalties, Zenith President Eugene McDonald openly rebelled. In 1946 he stopped RCA royalty payments on radio tubes, filed a suit in Delaware charging an RCA conspiracy to monopolize the industry through patent control. In 1954 Zenith incorporated the original suit in a new one filed in Chicago, asking $16,056,000 in damages from RCA, Western Electric, Westinghouse, General Electric and 14 foreign electric companies. It charged that all had conspired with RCA to keep Zenith out of foreign markets through patent...

Author: /time Magazine | Title: CORPORATIONS: Zenith Beats RCA | 9/23/1957 | See Source »

...SELDEN RODMAN...

Author: /time Magazine | Title: Letters, Jan. 14, 1957 | 1/14/1957 | See Source »

...young realists certainly do. In a forthcoming book (Conversations with Artists, by Selden Rodman) Painters Jack Levine and Andrew Wyeth give professional appraisals. Hopper "does what he sets out to do," Levine says admiringly. "No dreams of the old masters set him off his course . . . Hopper looks inland. He's an American painter all the way." Wyeth goes farther still: "What makes Rembrandt so very great is that his concern for other people and for nature always shows through, giving his paintings a dimension of identification and self-effacement that is almost unique in art. Titian doesn...

Author: /time Magazine | Title: Art: The Silent Witness | 12/24/1956 | See Source »

...sleeping dogs of Mr. Selden Rodman's disagreement with my views of art and beauty lie [Nov. 28]; I am flattered by the attention he has paid me. There is someone, however, to whom I believe he has done a grave injustice in his book [The Eye of Man] -an artist not here to defend himself. I speak of the Pole, Jan Styka, close friend of Paderewski and one of the great men of his day, creator of the 200-ft.-wide painting Crucifixion at Forest Lawn Memorial-Park in Glendale, Calif. [TIME, April 2, 1951]. If Mr. Rodman...

Author: /time Magazine | Title: Letters: Prayer for Patience | 1/2/1956 | See Source »

That simple question, to which almost any layman would answer yes, gets a fast and furious no from many of today's esthetes. Even to ask it in arty circles is to sound like a hick or a troublemaker. Selden Rodman, who is neither, uses it to kick off one of the most provocative art books in years (The Eye of Man; Devin-Adair; $10). His own answer-affirmative-rattles the lattices of a hundred ivory towers...

Author: /time Magazine | Title: Art: The Basic Debate | 11/28/1955 | See Source »

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