Word: sees
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Dates: during 1990-1999
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Perhaps that's because the universalist desire to reform all culture, make everyone see in a new way, is dead. What's true of literature is true of all the arts now: there are readers of J.M. Coetzee's Disgrace, there are Michael Crichton's readers, and the twain don't meet. Except, possibly, theoretically in cyberspace. F. Scott Fitzgerald had it right: "Culture follows money." And the money--perhaps even the creative zeal--is now in the new media. A radically reshaped culture is beginning to be created there. We can already begin to see what the generation born...
...Bayeux Tapestry, the astonishing embroidered storyboard of the Battle of Hastings, one can see Edward the Confessor of England dying in January 1066 and Harold Godwinson, an earl, enthroned. A woolen comet (Halley's) streams across a linen sky, auguring bad luck. William, who believed the English crown had been promised him, lost no time. Five hundred vessels eventually ferried 7,000 men and their 2,000 mounts. Contrary winds delayed the force on the French side of the English Channel for 15 days--just long enough for Norway to launch its own 300-ship attack on the north...
...yourself back to a time before true mirrors. In Europe the art of painting had been lost to the ruthless destruction of barbarians. No Western man could see a real likeness of humankind upon a wall because no artist knew how to draw one. The pictures that adorned medieval churches--there was no secular painting--eschewed reality for decoration or dogma. Gilt-bedizened Madonnas with flat, staring eyes holding outsize infant Christs bespoke not man but the supernatural mystery of the faith...
Then came Giotto. He was an artisan like countless others of the age, though he possessed something his predecessors and contemporaries did not: an inner eye that could see how human figures could be brought to life on a wall. He replaced golden backdrops with the hills, meadows and houses familiar to 14th century Italians. In those earthly settings he placed three-dimensional Christs and Virgins, saints and sinners, painted as ordinary humans invested with natural emotions. His sweetly weary Madonna locks eyes with the observer as she swaddles a baby-size Jesus...
...Giotto painted his Bible stories and tales of saints across the cathedral walls of Italy. Yet we see his brilliance today in a bare handful of surviving documented works. The famous 28 scenes of St. Francis' life adorning the Upper Church in Assisi--to most of us the embodiment of his work--are of hotly disputed authorship. Yet many experts still believe no other known hand could have created the economical drama, narrative power and intense depiction of human emotion that mark the best of them...