Word: scripted
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Dates: during 1960-1969
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...echoes sometimes blend into a solid chorus, credit must be divided between Director Gene Kelly and his choreographer, Michael Kidd. Ernest Lehman's script is based on the Broadway musical (which was based on Thornton Wilder's farce The Matchmaker). It is woven from a solitary yarn. Matchmaker Dolly Levi sets great store by Horace Vandergelder's feed and grain store and decides to snare him for her own. She does. Curtain. In between their coy runaround, tiny complications arise. None of them matter, but several are the premises for blithe and sumptuous dance numbers. The most...
Amalric predicts that China will launch a war with Russia "somewhere between 1975 and 1980"-as soon as Peking has amassed a credible nuclear stockpile. The Soviets, Amalric's script continues, will look to Washington for help. But the U.S., Amalric says, will already have established some sort of modus vivendi with Peking. The war will be long and demoralizing. Moscow will have to withdraw troops from Europe, leading to the "desovietization" of the East Bloc...
Polonsky's talents were marked and sharpened by the rhetoric of Depression politics. The result is that, on occasion, his script blows its otherwise immaculate cool-as when a poolroom tough delivers one of those drunken "I'll-tell-you-what-democracy-is" speeches. Although Redford and Clark are both excellent in their roles, Katharine Ross offers a major challenge to credibility as Willie's Indian girl, called Lola in the film. She looks little like an Indian and is obviously too refined to act like...
Dead Anyway. The movie is well served by the shimmering, bleached-out color photography of Conrad Hall. It Is obvious from the opening scenes, however, that this is most deeply Director Polonsky's picture. Author of the remarkable script for Body and Soul ("Everybody dies!"), Polonsky made his directorial debut with another John Garfield movie, Force of Evil, in 1948. An ode to gangsterism and individual morality, it passed almost unnoticed on initial release. As a lifelong proponent of the sort of radical politics frowned upon during the witch hunts of the 1940s, Polonsky did not long escape...
Cactus Flower answers one of the less pressing but more engaging questions facing America today: Can Laugh-In's Goldie Hawn really act? Yes, she can, and so can Walter Matthau and Ingrid Bergman. With that kind of cast, a Sears, Roebuck catalogue could serve as a script, and Cactus Flower is far more than that. Director Gene Saks is no Billy Wilder, but Wilder's collaborator I.A.L. Diamond (Some Like It Hot, The Apartment) is still I.A.L. Diamond, and he knows funny lines when he writes them. Ornamenting Abe Burrows' stage hit (itself an adaptation...