Word: script
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Dates: during 1930-1939
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...Script-Tease. First trouble was to reduce the 1,037-page novel to a workable Hollywood script...
...Hollywood in the spring of 1937. With Selznick's famed marked copy of Gone With the Wind as a starter, Selznick, Howard and George Cukor (to supply the director's angle) spent twelve hours of a series of hot summer days, hammering out G With the W Script No. i. When finished, it contained 30,000 words, would have required five and a half hours to run if it ever had been shot. It never was. They made another. Then Selznick made another. In the next year Jo Swerling, Oliver H. P. Garrett, Ben Hecht, John Van Druten...
...Women. On Jan. 26, 1939, Cukor began directing with a very incomplete script. Trouble started at once. Selznick was not satisfied with the results which Cukor, a specialist in intimate scenes, especially with women, was getting. Selznick felt that Cukor did not get the "big feel" of Gone With the Wind and worked too slowly...
Meantime there was interminable dissatisfaction with the script. Hours were wasted while it was written on the set. Fleming confessed to a friend in the cast that at one point he thought of driving his car off a cliff he was passing, and finally went to bed for a week while M.G.M. Director Sam Wood (Good-Eye, Mr. Chips') carried...
...exhibitionist extraordinary. True to form, Rooney has mugged and hogged his way through his latest picture. "Babes in Arms," but what is not in the least true to form, he's good! With only Judy Carland and Charles Winninger to help him drag a so-so cast through the script, he has taken the show on his own Napoleonic shoulders and carried it through to Garcia. Along with being able to sing tap-dance play the piano, imitate Roosevelt, and other odd jobs, it might even he said that Rooney can act. His introduction to the problem of smoking...