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Directed by Robert Scheerer...

Author: /time Magazine | Title: Cinema: Low Budget | 8/4/1980 | See Source »

...plot, though serviceable, is not really the point. It is just an excuse for some hard but sympathetic observations of the way many people live now. Director Scheerer may not fully realize that; there is something unemphatic in his handling of material that needs to be sharper. The acting is good. Lange is hard and dizzy, Saint James mousy and distracted, Curtin self-pitying yet capable. When called upon to improvise a striptease in order to cover her pals' getaway, she is both game and sexy. Her developing relationship with a shy policeman, expertly played by Dabney Coleman, adds...

Author: /time Magazine | Title: Cinema: Low Budget | 8/4/1980 | See Source »

High Cost of Living has no value, of course, on a practical level but director Scheerer cannot be accused of not trying. Except for the outlandishness of the robbery plot, his portrait of three middle-aged middle-class women in Eugene, Oregon is devastatingly accurate. Their adventures with the police, with gas station attendants, exhusbands, husbands, and little leaguers have the all too humid air of authenticity about them...

Author: By David Frankel, | Title: Two for the Road | 7/18/1980 | See Source »

...Like a Housewife." Small, hard-eyed Allyne Velome Scheerer Carpenter Nugent, the boss, is a lithe and fiftyish fireball who has the respect, if not the love, of her staff. She inherited the Courier in 1925, five years later had worked herself into a breakdown. She went to Paris to get over it, met and married a young English-Canadian named John Lithgow Nugent-Fyfe. In Lincoln her new husband dropped the Lithgow and Fyfe, suspecting that midwesterners would not cotton to hyphenations. He ran the business...

Author: /time Magazine | Title: The Press: Grass Roots Courier | 1/7/1946 | See Source »

Miss Brico will say little about the individual players because "all the ladies are jealous." But a few were conspicuous for their labors last week. There was young Julia Drumm who played capably on the flute; wiry Jeannette Scheerer who understands a clarinet; Tympanist Muriel Watson who practices on boards at home because she has no drums of her own; slender Maxine Scott who wrapped a tuba over her shoulder and puffed manfully through a Wagner finale...

Author: /time Magazine | Title: Music: Ambitious Backs | 3/25/1935 | See Source »

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