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Word: scarlett (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...wooden in his overall structure but energetic in his scenes. The Fatty Arbuckle party that led to his sex scandal, trial, ruin and censorship; Greta Garbo's slow but sure rise to stardom amid the "ah-rintch" groves, and the pandemoniac search for an actress to play Scarlett O'Hara. Much space is devoted to a novelization of the rise and fall of Marilyn Monroe. Farber's conclusion: Hollywood did not kill her; "it was just a case of bad luck, mismanagement. She met the wrong people, she got bad advice...

Author: /time Magazine | Title: Books: Roll 'Em | 12/31/1979 | See Source »

...senior British diplomat who admires Schmidt complains that the new West German leadership is still too narrowly focused on national interest instead of international cooperation. Says he: "We haven't yet seen the wider vision. It is still 'Germany First.' And the German stand ?like Scarlett O'Hara's vow that 'I'm never going to be hungry again...

Author: /time Magazine | Title: Leading from Strength | 6/11/1979 | See Source »

Reader Steve Smalling compared the second constitutional convention to a remake of Gone With the Wind with Woody Allen as Rhett and Phyllis Diller as Scarlett [March 12]. Personally, I prefer to think of it as the renovation of a historical landmark that if left alone would soon fall into decay and oblivion. Even the White House has to have a coat of paint now and then...

Author: /time Magazine | Title: Letters, Apr. 2, 1979 | 4/2/1979 | See Source »

...allow today's politicians to call a second constitutional convention [Feb. 19] would be like doing a remake of Gone With the Wind with Woody Allen as Rhett and Phyllis Diller as Scarlett. Not only is the casting inappropriate, but it would ruin a masterpiece...

Author: /time Magazine | Title: Letters, Mar. 12, 1979 | 3/12/1979 | See Source »

MITCHELL DEALS very closely with her own personality on the new album, as she has on most of her previous efforts. In the past, however, she often created a fictional character, a situation that served as a vehicle for emotional scene-setting. In songs like "Shades of Scarlett" (The Hissing of Summer Lawns) or "Ludwig's Theme" (For the Roses), she created intriguing characters, whom she depicted in strength as well as weakness, and in relation to the world around them...

Author: By Peter R. Melnick, | Title: Angels and Devils | 2/7/1978 | See Source »

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