Word: saxophonist
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...more confrontational. A lot of them are very internal.” The music accompanying the pieces ranges appropriately from popular music to opera arias. Some of the musical compositions are original, and one part of the show is accompanied by nothing but the breath of jazz singer, saxophonist, and flautist Stan Strickland. Even the stage does not constrict the choreographer’s vision; she sets an aerial number—or, as she puts it, a “movement portrait”—in the open air. Certain unifying factors, however, hold the entire show...
...early encounter had little impact on Newman's career, which successfully spanned nearly five decades. Inspired by the sounds of bebop saxophonist Sonny Stitt, whose control of the instrument Newman called "superb," he became an important part of R&B crooner Ray Charles' crew in the 1950s; one of their biggest hits was "I Got a Woman...
...from the Business School. Michael T. Derse, one of this year’s recipients who graduated from Stanford in 2004 with a degree in mechanical engineering, became interested in designing medical devices during his junior year of college when he joined a team trying to help a saxophonist suffering from focal hand dystonia. (The neurological condition causes the hand to contract involuntarily, making it impossible for the musician to play his instrument.) “We wanted to design something that would help him get back to his former playing level,” Derse said...
...known as the "Little Giant" because of his diminutive stature, but Johnny Griffin was a musical talent of towering proportions. The Chicago-born tenor saxophonist made his name in the 1950s, collaborating with luminaries like John Coltrane, Thelonious Monk and Art Blakey. Dismayed by the ascendancy of free jazz (a genre he considered "noise") in the 1960s, Griffin fled to Europe, where he mesmerized audiences for decades. "I want to eat up the music like a child eating candy," he said. In turn, listeners devoured his unique sound, a melding of forceful tones and dazzling improvisation played at lightning speeds...
...have diverse, gifted musicians here who collaborate all the time,” said Bong-Ihn Koh ’08, a cellist enrolled in a joint degree program with Harvard and the New England Conservatory (NEC). Saxophonist Alex J. Rezzo, another participant in the program, agreed. “What I really like about the Harvard side of the [Harvard-NEC] program is it seems like the musicians are creating their own opportunities to play...