Word: saxophonist
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
Pianist Allen got the idea for the album when he heard Alto Saxophonist Julian ("Cannonball") Adderley insist on TV one evening that jazz criticism is "a joke." Allen scribbled several funky tunes (Hackensack Train, Fink's Mules, Too Fat Boogie) and recorded them as the work of Pianist-Composer Hammer. He tricked up some of the tracks by recording first the bass, then the upper register and gluing them together. Under a second assumed name - Ralph Goldman - he wrote some typically pretentious liner notes: "Like Peck Kelly of Texas and Joe Abernathy of New York, Hammer has become...
...self-styled beatnik named Eric ("Big Daddy") Nord turned the joint into a coffeehouse. By midsummer, "the Gas House" was in full swing, and the beats pushed in to make the scene, as they say. A jukebox blared the beatniks' Three Bs: Bach, Bartok and "Bird" (Cool Saxophonist Charlie Parker). Bongo drums pounded out broken rhythms from early afternoon to early morning. Folk singers plunked guitars. Far-out paintings dripped from the walls. Ancient, rump-ruptured couches, rescued from the city dump, decorated the floor, and in the center of the room stood an old claw-legged bathtub that...
...Miles Davis Sextet, a well-established jazz combo that got a big hand and rated it. Trumpeter Miles Davis,* who years ago launched in New York what became known as "West Coast jazz," groups together some of jazzland's most gifted performers (Pianist Wynton Kelly, Alto Saxophonist Julian-"Cannonball"-Adderly, Drummer Jimmy Cobb, Bassist Paul Chambers, Tenor Saxophonist John Coltrane), has rehearsed them to play an original repertory (jazzed-up ballads in classic form) with the cohesiveness of a chamber music ensemble...
Sonny Rollins and the Big Brass (Metrojazz). On one side of this disk, Tenor Saxophonist Rollins silhouettes his dry, spare sax sound against a textured curtain of trumpets and trombones, with striking effect in such numbers as Who Cares? and Far Out East. On the other side, backed only by bass and drums, he noodles his way through a series of willowy inventions (on Manhattan, Body and Soul) as continuously surprising as a meandering country road...
Playwright Garson (Born Yesterday) Kanin (rhymes with rain in), a jazz saxophonist during his knockabout days, has managed this much. His novel is cast in the form of a onetime saxman's fond, moody reminiscence of the hard-blowing early '303. Jogged by a telephone call from one of his old partners, the narrator recalls the rise and fall of the combo they formed. The group begins as a trio, built around an astonishingly good young trumpeter. Then the saxman finds a pianist at a Harlem rent party, and the trio sounds even better as a quartet. Bookings...