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Word: rousseau (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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...managed to win 13 elections to the House of Representatives from a mostly conservative Republican farming district around Spokane in eastern Washington. A big (6 ft. 4 in., 225 lbs.), gregarious Irishman, Foley can regale a gaggle of beer guzzlers with a slightly off-color tale, then quote Rousseau, Burke and Hobbes in a symposium of scholars at the Library of Congress...

Author: /time Magazine | Title: Waiting For Opportunity to Knock | 6/5/1989 | See Source »

...local song that boasts "Samoa, there's no place like you" rings all too true for some of the palagis, or foreigners, on the island. At American Samoa Community College, Philip Grant gamely leads Laborday Fatali and a group of other flamboyantly named students through a discussion of Rousseau and Romanticism, only occasionally thrown off by a modern sensibility ("What does self-serving mean?" "Well, the gas station is self- service"). Yet Grant, one of those gypsy scholars who move from country to country, finds Samoa considerably more alien than his last posting, in Beirut. "In Lebanon," he says, "there...

Author: /time Magazine | Title: Pago Pago, American Samoa Whose Nation Is This Anyway? | 5/15/1989 | See Source »

FACT Attributed to an unnamed "princess," the remark appears in Rousseau's Confessions at least two years before Marie Antoinette arrived in France...

Author: /time Magazine | Title: France Liberte, Egalite, Fraternite? | 5/1/1989 | See Source »

...been asked, amid the intellectual and political convulsions that tore Spain asunder between 1790 and 1815, "Whose side are you on?", he would have answered, "Reason's." For Francisco de Goya y Lucientes, the gilder's son from Aragon, did not have the education of a Diderot or a Rousseau, but he was completely a figure of the Enlightenment; his paintings and prints, with their obsessive imagery of the conflict of light and darkness, are perhaps its supreme metaphorical expression in European art outside of the classically formalized work of Jacques-Louis David...

Author: /time Magazine | Title: Art: Goya, A Despairing Assault on Terminal Evil | 1/30/1989 | See Source »

...past. The figures in Matisse's fauve landscapes at St.-Tropez -- amply represented in this show -- are Arcadians with spots. The pale recumbent nude among the columnar tree trunks in his Nymph in the Forest, 1935-42 or '43, harks directly back to Titian. The flute player in Henri Rousseau's The Happy Quartet, 1902, whose music is joined by the howling of a giant white poodle, is a reprise of innumerable earlier pastorals. Gauguin was partly a reprise of Watteau, each in his own way imagining fugitive pleasure on a distant island, Cythera equaling Tahiti...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

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