Word: rorschach
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Dates: during 1980-1989
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...movie, finding motivations that are unvoiced in the picture, explanations for behavior undreamed of by the screenwriter. Fatal Attraction is an astonishing beneficiary of this consumer creativity. The picture is like Velcro: any theory can attach itself to the story and take hold. As Lansing says, "It's a Rorschach test for everyone who sees it." Is Alex worth our sympathy, pity, fear, loathing, or all of the above? Outside the Evergreen Theater in suburban Chicago, Rochelle Major says, "I had to believe that Alex had been hurt deeply before. She was lonely, didn't have a family like...
Listen to these guys, and you may suspect that Platoon is not so much a movie as a Rorschach blot. But that is part of the caginess of Stone's approach. The French filmmaker Jean-Luc Godard once wrote that when a good film is also a popular film, it is because of a misunderstanding. Platoon could very well be misunderstood into superhit status. The army of Rambomaniacs will love the picture because it delivers more bang for the buck; all those yellow folks blow up real good. Aging lefties can see the film as a demonstration...
...sight. He "drew" his shapes by manipulating the effects of gravity on liquid. This certainly eliminated the traces of the expressive hand and gave his surfaces a sweet, frictionless clarity. It was also chancy in the extreme, since it courted the possibility of turning the image into a decorative Rorschach blot. But Louis destroyed much of his own work, editing heavily, and the sense of risk in the surviving paintings gave them an intriguing tension, as though their radiance had been snatched from the very jaws of entropy. His best works, like Beth Gimel, 1958, or Beth Chaf, 1959, touch...
...some years produced the CBS Evening News with Walter Cronkite, is convinced that had the space shuttle Challenger flown only a few miles farther and then exploded off-camera, the story would have created far less of a sensation. The image of white plumes scattering in a giant Rorschach pattern is now engraved on every American's brainpan. Endless repetition did it: television believes that something shown only once has not been seen...
...film is to call it poetic. The easiest way to dump on a film is to call it unrealistic. Believability is the line drawn in the dirt; on either side are warring sensibilities, rival gangs of moviegoers or critics. Seen this way, the defenseless movie is reduced to a Rorschach inkblot, an excuse for prolonging the debate between fantasy and naturalism...