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...producer Clara H. Kim ’09 said that the cast and crew confronted various challenges while staging this modern piece, which conforms to the Mozart model in its organizational structure but strays from those constraints with an offbeat musical content in keeping with Stravinsky’s rhythmic innovations. “We had some reservations because of the difficulty of the vocal writing, which can be virtuosic and unidiomatic at times, and also the difficulty of the orchestra parts,” Kim said. “However, it was our first choice from almost the beginning...

Author: By Eunice Y. Kim, CRIMSON STAFF WRITER | Title: Clever Quips and Melodies in 'Rake's Progress' | 2/5/2009 | See Source »

...Martin said. Quinnipiac also refocused its attack in the third, outshooting Harvard 16-14. Prior to the third, however, the Bobcats’ offensive efforts lacked the zeal mustered in the final period. The first two periods belonged to the Crimson, who attacked the Quinnipiac net in a rhythmic fashion that wore down the Bobcats defense and forced Qunnipiac goaltender Tia Wishart to frequently swipe at dangerously close pucks. Eventually the barrage of shots paid off. At 12:41 in the first, Ryabkina swooped in behind the Quinnipiac goal from the left corner and fed the puck to captain Kirsten...

Author: By Emmett Kistler, CRIMSON STAFF WRITER | Title: Harvard Gets Solid Performance in Goal | 1/4/2009 | See Source »

...aging rapper replaces those influences with newer artists like Kanye West and Chester French. Common’s entrance into a new crowd implies a baldly careerist effort to modernize his sound. The result is a resolutely generic club rap album entirely devoid of the musical experimentation and rhythmic virtuosity that defined Common’s early collaborators. Early in his career, Common gained a reputation for focusing on social and political issues instead of gangsterism and consumerist machismo. From the first verse of his new album’s title track, it’s obvious that this...

Author: By Mark A. Vanmiddlesworth, CRIMSON STAFF WRITER | Title: Common | 12/12/2008 | See Source »

...strings delicately tossed the melody around, all the while building up to a climax in which it seemed the funeral march itself was passing us by. To create this adequately was not easy, but Levine seemed to construct such vivid imagery with ease. Brought to life by a continuing rhythmic momentum, the melody finally died away as the funeral march continued off into the distance. The symphony returned to a lively dance with the onset of the Presto. This time, images of an elegant ball came to mind. Skirling strings and a majestic trio in between the scherzo were followed...

Author: By Kevin T. Chen, CRIMSON STAFF WRITER | Title: BSO Takes A Sonic Journey | 12/8/2008 | See Source »

...Poetry? Awkward. Poetry readings? I’m wincing just typing this. In general, sincerity is awkward. So are most things that require effort or enthusiasm, which explains the awkwardness of rhythmic gymnastics. Serious beliefs are awkward, especially religious ones. It’s not that there’s anything wrong with them, it’s just that people’s real, heart-felt, deeply held beliefs are, well, “not easy to handle or deal with, requiring great skill, ingenuity, or care”—in a word, awkward. (Merriam Webster...

Author: By Alexandra A. Petri | Title: Generation Awkward | 12/8/2008 | See Source »

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