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...sheet on the schnauzer is that it dates back to the 15th century. Rembrandt painted them, and barons employed packs of schnauzers to patrol the castle and catch rats, which explains why Holloway carries around a furry little squeaky toy in his pocket. Sometimes called the dog with the human brain, the standard schnauzer is not to be confused with his toy and giant cousins. Pa's history dates back to Italy, where he was bred by Gabrio Del Torre, who saw the dog's potential and shipped him to the best schnauzer handler he could find...

Author: /time Magazine | Title: SPORT: A DOG HAS HIS DAY | 2/24/1997 | See Source »

Despite these strong works, as well as Morimura's spectacular appropriation of Rembrandt's "Anatomy Lesson of Dr. Tulp," the show is plagued by the inclusion of poor work by Boston area artists. Although the curators nobly attempted to showcase local talent, most of their selections are weak in comparison with pieces by better known artists. Carol Cohen's "Greek Revival," plates of glass etched with a body and set in a mauve and teal neo-classical base, pales in contrast with Nancy Spero's deft exploration of female power and representation in the ancient era. More disappointing, however...

Author: By Scott Rothkopf, | Title: MFA Shows More Than Just a Pretty Face | 2/6/1997 | See Source »

...REMBRANDT...

Author: /time Magazine | Title: CAMPAIGN NOTEBOOK | 9/23/1996 | See Source »

Cezanne was, from that point on, a great portraitist, one of the best the world has seen, especially of himself. His self-portraits invite comparison with those of Rembrandt, and the best of them justify it. He begins, in his own images, as a wild man, a solitary, an uncouth glaring peasant with greasy hair massed on either side of the pale dome of a bald head; he ends, in his last years, as a kind of sage. Between the extremes is a painting like the Self-Portrait (Portrait of the Artist with a Rose Background), with its powerfully modeled...

Author: /time Magazine | Title: ART: MODERNISM'S PATRIARCH | 6/10/1996 | See Source »

...first week or two we learned to recognize and reproduce colors specified by hue, intensity and neutralization. By the end of the year we were painting still-lifes and copying Rembrandt pen and wash drawings. In between, we copied Greek and Japanese line drawings, Persian designs, Botticelli's Venus and a good deal more. As a child I had loved to draw and had attended drawing and painting classes at the Museum School in Cleveland, but I knew nothing about art. Fine Arts A taught me how to see a painting or drawing--knowledge that has enriched my life immeasurably...

Author: NO WRITER ATTRIBUTED | Title: Learning the Material That Won't Be Tested | 6/4/1996 | See Source »

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