Word: rembrandt
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Dates: during 1990-1999
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...major beneficiary of this trend was Rembrandt, whom Romantic writers in the early 1800s seized upon as an exemplar of the artist as Prometheus. As the demand for Rembrandts grew, so, mysteriously, did the supply. It is therefore worthwhile to note that several weeks before the Michelangelo and Shakespeare attributions, the Metropolitan Museum of Art in New York City, just two blocks north of the house in which the little Cupid stands, came to the end of its "Rembrandt/Not Rembrandt" exhibit. This show reflected the labors of the Rembrandt Research Project, an Amsterdam-based group of experts on Dutch painting...
...remote-control button? The snap answer is, hell no, we don't. But that is not really true. Aesthetics, for all the millions of words that have been written on the subject, remains an inexact science. We cannot say why a painting once supposed to be by Rembrandt loses face when its connection with the master is disputed or disproved, even though it looks just the same as it did when we admired it before. Nor can we understand the sudden compulsion to look anew at and find merit in the alleged Michelangelo Cupid and the reputed Shakespeare elegy...
...oddly clumsy one in some details of the human body--though he excelled in virtuoso rendering of inanimate objects, catching the moony sheen of pearls or the precise tautness of a viol's catgut strings. As an analyst of human character, he was quite vapid compared with Rembrandt or Frans Hals...
...REMBRANDT ON THE ROCKS: The discovery of dazzling drawings of rhinoceroses and other animals in a French cave suggests that prehistoric art did not mature in a simple linear fashion but may have been punctuated by the influence of individual geniuses. The images in the Chauvet cave date from 30,000 years ago, 12 to 18 millenniums before comparable ones at Lascaux, in France, and Altamira, in Spain, and much earlier than anyone thought possible for such realistic portraits...
Many of those collections rank among the best in the America if not the world, and have given Harvard museums the status they currently enjoy. From Europe, the Fogg logs over 60,000 prints, including over 300 by Durer, 200 by Rembrandt and another 300 by Goya. Its watercolors by Blake are unrivaled outside England, while its drawings from Gericault and David are the most comprehensive collections outside France...