Word: real
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Dates: during 1990-1999
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Half a century after his death, most of us know little of Gandhi's real history or how the Mahatma in our minds came to be. Hundreds of biographies uncritically canonize him. Winston Churchill scorned him as a half-naked fakir stirring up sedition. His generation knew him as a radical political agitator; ours shrugs off a holy man with romantic notions of a pure, pre-industrial life. There is no either-or. The saint and the politician inhabited the same slender frame, each nourishing the other. His struggle for a nation's rights was one and the same with...
...little handwheel, sometimes 400 yards at a sitting. "I am spinning the destiny of India," he would say. The thread went to make cloth for his followers, and he hoped his example would convince Indians that homespun could free them from dependence on foreign products. But the real point of the spinning was to teach appreciation for manual labor, restore self-respect lost to colonial subjugation and cultivate inner strength...
...free to use the technology however we want, even if it takes real effort, inspired by a touch of resentment toward our would-be technological master. We can in theory follow Emerson's advice: "Let man serve law for man; Live for friendship, live for love." Maybe all along it was the destiny of our species to be enmeshed in a web that would give us the option to exercise either amity or enmity over unprecedented distance, with unprecedented power. There are worse fates than to have a choice like that...
...yourself back to a time before true mirrors. In Europe the art of painting had been lost to the ruthless destruction of barbarians. No Western man could see a real likeness of humankind upon a wall because no artist knew how to draw one. The pictures that adorned medieval churches--there was no secular painting--eschewed reality for decoration or dogma. Gilt-bedizened Madonnas with flat, staring eyes holding outsize infant Christs bespoke not man but the supernatural mystery of the faith...
...Still, as cyber-millennium films go, it's megabytes ahead of Strange Days, which is one of those movies that give fresh meaning to the term "guilty pleasure." This time it's millennial New Year's in Los Angeles. Ralph Fiennes is Lenny the virtual reality dealer, delivering taped real-life experiences directly into junkies' cerebral cortexes, while Angela Bassett counters as, well, as the Tina Turner character she played in What's Love Got to Do With It? Director Kathryn Bigelow's action scenes are mesmerizing, but the movie itself is stranded in a dark gloomy netherworld that...