Word: raskolnikov
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Dates: during 1950-1959
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Professor Cohen teaches Phil. 139 and holds forth with Nietzsche, Mill, and Santayana in Emerson F. The Nietzschean spirit seems to haunt the the rest of the building at this hour. For the up-and-coming Raskolnikov Dr. Wheeler in Soc. Rel. 184 (Emerson A) carefully examines where such greats as Willy Sutton and Mack the Knife slipped up. As insurance, "cops and robbers" finishes up with a study on the ins and outs of prisons...
...main characters, Lili (Sonia), Rene Brunel (Raskolnikov), Nicole Brunel (Dounia) and Inspecteur Gallet (Porfiry), act their way through the famous intellectual-kills-pawnbroker-and-suffers plot with a considerable degree of accomplishment. Robert Hossein as Rene seems to suffer a bit too dramatically but this is probably in the novel and becomes grating only when it actually has to be seen on the screen. Marina Vlady is properly wistful and ineffectual as Lili, the embodiment of the beautiful soul who becomes a prostitute to feed the family which her stepfather has deserted, and Ulla Jacobssen is excellent in the less...
...novel Dostoevsky refers to Raskolnikov's "gradual regeneration," all, of course, through great suffering. The movie ends with a church hymn being sung in the background as Rene is led away in the police van. Lili is looking on, with tears in her eyes and an angelic smile on her face. This latter is more visually absurd than the former, but both are intellectually unsatisfactory in the way they warp the entire story to fit it to an artificial ending...
...woman was a moneylender, but Peter Fury's crime was different from that of Dostoevsky's Raskolnikov. He did not kill out of pride but from shame and pity. He had been marked for the priesthood by his mother, and her merciless determination to pay for his education had led him not to the altar, but to the loan shark's table. After getting out of prison, he finds that all the members of his family have died or been scattered. He lives on in a desolation of scene and spirit that the French, under the fashionable...
...religion, and hope itself are derided in the mad figures inhabiting the horse. One is a naked but derby-hatted fellow named Maloney the Areopagite, who is writing the life of Saint Puce, a flea that was born in Christ's armpit. Another is John Raskolnikov Gilson, an eighth-grade schoolboy who wants to sleep with Miss McGeeney, his English teacher. In order to make his views known ("How sick I am of literary bitches. But they're the only kind that'll have me"), the boy has written a pamphlet that sounds very like West...