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Word: psychodrama (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...LIES, AND VIDEOTAPE. Ann (Andie McDowell) doesn't care for sex; Graham (James Spader) can't have it. They make the perfect posterotic couple in this very funny, poignant psychodrama...

Author: /time Magazine | Title: Critics' Choice: Sep. 4, 1989 | 9/4/1989 | See Source »

...Baat-maaaan!" Not the bleating trumpets and Pop art facetiousness of the '60s TV series, which turned Bob Kane's superhero into a camp crusader. Director Tim Burton's approach is dead serious. He renounces the bright palette, the easy thrills, to aim for a psychodrama with the force of myth. He creates a Gotham City that looms like a rube's nightmare of Manhattan. He strips the Bruce Wayne legend down to its chassis, dumping Robin and the goony rogues' gallery. This is a face-off between two men in weird masks: one in a leathery black item...

Author: /time Magazine | Title: Show Business: Murk in The Myth | 6/19/1989 | See Source »

...comedy . . . it's a psychodrama . . . it's Batman! From the director and star of Beetlejuice comes a dead-serious gloss on the cave-dwelling superhero. Its producers will be happy, in this summer of the sequels, if moviegoers of the future remember Tim Burton's movie as Batman I. -- Broken Bat: the film reviewed...

Author: /time Magazine | Title: Time Magazine Contents Page: Vol. 133 No. 25 JUNE 19, 1989 | 6/19/1989 | See Source »

...does the film offer the easy pleasures of a conventional movie bio. Earl Mac Rauch's script mixes fantasy and fact in an ambitious, if muddled, attempt at surrealistic psychodrama. In the opening scene, the dead Belushi (played by newcomer Michael Chiklis) wakes up in a morgue, escapes in a gown resembling the toga he wore in Animal House and meets a guardian angel in the guise of a taxi driver (Ray Sharkey). Their conversations are intermingled with time- jumbled flashbacks of Belushi's life, snippets of his comedy material and scenes of Woodward pursuing the story...

Author: /time Magazine | Title: Show Business: Finally, The Belushi Story | 4/24/1989 | See Source »

...documentary. Few criticized it for ignoring or caricaturing the Vietnamese. Instead, Americans recognized and responded to the grandeur of its hallucinogenic fever. Platoon was crazy from the inside, a surrealist's scribbled message from hell. Parker's film is quite another thing: an outsider's report, not autobiography but psychodrama, with a texture as real as newsreel. And yet its plot skeleton bears similarities to Platoon. In both films, two strong men fight to establish American values in a hostile country, and to claim the soul of an innocent. In both films, the local nonwhites -- yellow or black -- are less...

Author: /time Magazine | Title: Show Business: Fire This Time | 1/9/1989 | See Source »

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